Michael A. ArbibUniversity of California at San Diego, La JollaEmeritus, University of Southern California

• PrefaceAcknowledgments Chapter 1. Brains in Bodies in the - Social, Built and Natural - Environment1.1. Linking Physical and Mental and Construction1.2. Framing the AN Conversation1.3. How Brains Meet Buildings1.4 The Many Levels of the Brain1.5. A Key Debate: Is Neuroscience Relevant to Architecture? Chapter 2. An Action-Oriented Perspective on Space and Affordances2.1. In an Art Gallery: From Wayfinding to Contemplation2.2. Affordances and Effectivities2.3. The Thinking Hand2.4. The Thinking Hand and Its Schemas2.5. Schemas: Up to Society; Down to Neurons2.6. The Thinking Hand and Its Brain2.7. Design in Architecture and in Brain Modeling Chapter 3. A Look at Vision, and a Touch More3.1. Engineering and Architectural Aesthetics3.2. Neural Circuits for Vision3.3. Learning and Memory3.4. VISIONS: Scene Perception as a Form of Construction3.5. Aesthetic Judgement of Visual Form3.6. Schemas Within and Beyond Vision Chapter 4. Atmosphere, Affordances, and Emotion4.1. Atmosphere Exemplified4.2. Motivation, Emotion, and Brains4.3. Atmosphere as a Non-Gibsonian Affordance4.4. The Evocation of Atmosphere in Paintings4.5. Seeking Neural Correlates of Environments Inducing Contemplative States4.6. Experiences of Ultimacy Chapter 5. From Empathy to Mirror Neurons and Back to Aesthetics5.1. Empathy and Einfühlung in Life, Architecture and Art5.2. Mirror Neurons and Their Larger Setting5.3. How Neural Nets Enable Us to Learn and Remember5.4. Modeling How Mirror Neurons Learn and Function5.5. Empathy and the Brain5.6. Einfühlung and the Motor Component of Contemplation5.7. Neuroaesthetics Revisited, and More Chapter 6. From Libraries to Wayfinding, Waylosing, and Symbolism6.1. Libraries6.2. A Cognitive Account of Wayfinding6.3. It Takes More Than a Hippocampus to Build a Cognitive Map6.4. Symbolism and Symbols Chapter 7. When Buildings Have "Brains"7.1. Machines for Living In, Revisited7.2. Can Architecture Be Smart, Can Intelligence Be Artificial?7.3. The Interactive Space Ada7.4. Neuromorphic Architecture: Neural and Physical Spaces for Buildings7.5. Community & Biophilia7.6. Where Might Neuromorphic Architecture Lead Us? Chapter 8. Evolving the Architecture-Ready Brain8.1. Introducing the X-Ready Brain8.2. From Mirror Systems to Complex Imitation, Pantomime and Pedagogy8.3. From Pantomime to Protolanguages and On to Languages8.4. The Language-Ready Brain is Also Construction-Ready and Drawing-Ready8.5. The Neuropsychology of Drawing8.6. Is Architecture a Language for the Architecture-Ready Brain? Chapter 9. Experience and Design: Case Studies9.1. Imagination and Design: Our Initial Framework9.2. Jørn Utzon's Experience and Design: The Sydney Opera House9.3. Sketching and Model-Making: Frank Gehry's Bilbao Guggenheim Chapter 10. Experience and Design: Bringing in the Brain10.1. Towards IBSEN: Modeling Imagination in Brain Systems for Episodes and Navigation10.2. Multi-Modal Perception Within the Action-Perception Cycle10.3. Linking Memory and Imagination: The Hippocampus and More10.4. From Scripts to Cognitive Maps to Buildings10.5. And So We Come to the End Which is a Beginning About the Author

Arbib covers brains and the environment, perspective on space, learning and memory, emotion, wayfinding, the architecture-ready brain, buildings with brains, and experience and design.

Michael A. ArbibUniversity of California at San Diego, La JollaEmeritus, University of Southern California

• PrefaceAcknowledgments Chapter 1. Brains in Bodies in the - Social, Built and Natural - Environment1.1. Linking Physical and Mental and Construction1.2. Framing the AN Conversation1.3. How Brains Meet Buildings1.4 The Many Levels of the Brain1.5. A Key Debate: Is Neuroscience Relevant to Architecture? Chapter 2. An Action-Oriented Perspective on Space and Affordances2.1. In an Art Gallery: From Wayfinding to Contemplation2.2. Affordances and Effectivities2.3. The Thinking Hand2.4. The Thinking Hand and Its Schemas2.5. Schemas: Up to Society; Down to Neurons2.6. The Thinking Hand and Its Brain2.7. Design in Architecture and in Brain Modeling Chapter 3. A Look at Vision, and a Touch More3.1. Engineering and Architectural Aesthetics3.2. Neural Circuits for Vision3.3. Learning and Memory3.4. VISIONS: Scene Perception as a Form of Construction3.5. Aesthetic Judgement of Visual Form3.6. Schemas Within and Beyond Vision Chapter 4. Atmosphere, Affordances, and Emotion4.1. Atmosphere Exemplified4.2. Motivation, Emotion, and Brains4.3. Atmosphere as a Non-Gibsonian Affordance4.4. The Evocation of Atmosphere in Paintings4.5. Seeking Neural Correlates of Environments Inducing Contemplative States4.6. Experiences of Ultimacy Chapter 5. From Empathy to Mirror Neurons and Back to Aesthetics5.1. Empathy and Einfühlung in Life, Architecture and Art5.2. Mirror Neurons and Their Larger Setting5.3. How Neural Nets Enable Us to Learn and Remember5.4. Modeling How Mirror Neurons Learn and Function5.5. Empathy and the Brain5.6. Einfühlung and the Motor Component of Contemplation5.7. Neuroaesthetics Revisited, and More Chapter 6. From Libraries to Wayfinding, Waylosing, and Symbolism6.1. Libraries6.2. A Cognitive Account of Wayfinding6.3. It Takes More Than a Hippocampus to Build a Cognitive Map6.4. Symbolism and Symbols Chapter 7. When Buildings Have "Brains"7.1. Machines for Living In, Revisited7.2. Can Architecture Be Smart, Can Intelligence Be Artificial?7.3. The Interactive Space Ada7.4. Neuromorphic Architecture: Neural and Physical Spaces for Buildings7.5. Community & Biophilia7.6. Where Might Neuromorphic Architecture Lead Us? Chapter 8. Evolving the Architecture-Ready Brain8.1. Introducing the X-Ready Brain8.2. From Mirror Systems to Complex Imitation, Pantomime and Pedagogy8.3. From Pantomime to Protolanguages and On to Languages8.4. The Language-Ready Brain is Also Construction-Ready and Drawing-Ready8.5. The Neuropsychology of Drawing8.6. Is Architecture a Language for the Architecture-Ready Brain? Chapter 9. Experience and Design: Case Studies9.1. Imagination and Design: Our Initial Framework9.2. Jørn Utzon's Experience and Design: The Sydney Opera House9.3. Sketching and Model-Making: Frank Gehry's Bilbao Guggenheim Chapter 10. Experience and Design: Bringing in the Brain10.1. Towards IBSEN: Modeling Imagination in Brain Systems for Episodes and Navigation10.2. Multi-Modal Perception Within the Action-Perception Cycle10.3. Linking Memory and Imagination: The Hippocampus and More10.4. From Scripts to Cognitive Maps to Buildings10.5. And So We Come to the End Which is a Beginning About the Author

Arbib covers brains and the environment, perspective on space, learning and memory, emotion, wayfinding, the architecture-ready brain, buildings with brains, and experience and design.

Michael A. ArbibUniversity of California at San Diego, La JollaEmeritus, University of Southern California

• PrefaceAcknowledgments Chapter 1. Brains in Bodies in the - Social, Built and Natural - Environment1.1. Linking Physical and Mental and Construction1.2. Framing the AN Conversation1.3. How Brains Meet Buildings1.4 The Many Levels of the Brain1.5. A Key Debate: Is Neuroscience Relevant to Architecture? Chapter 2. An Action-Oriented Perspective on Space and Affordances2.1. In an Art Gallery: From Wayfinding to Contemplation2.2. Affordances and Effectivities2.3. The Thinking Hand2.4. The Thinking Hand and Its Schemas2.5. Schemas: Up to Society; Down to Neurons2.6. The Thinking Hand and Its Brain2.7. Design in Architecture and in Brain Modeling Chapter 3. A Look at Vision, and a Touch More3.1. Engineering and Architectural Aesthetics3.2. Neural Circuits for Vision3.3. Learning and Memory3.4. VISIONS: Scene Perception as a Form of Construction3.5. Aesthetic Judgement of Visual Form3.6. Schemas Within and Beyond Vision Chapter 4. Atmosphere, Affordances, and Emotion4.1. Atmosphere Exemplified4.2. Motivation, Emotion, and Brains4.3. Atmosphere as a Non-Gibsonian Affordance4.4. The Evocation of Atmosphere in Paintings4.5. Seeking Neural Correlates of Environments Inducing Contemplative States4.6. Experiences of Ultimacy Chapter 5. From Empathy to Mirror Neurons and Back to Aesthetics5.1. Empathy and Einfühlung in Life, Architecture and Art5.2. Mirror Neurons and Their Larger Setting5.3. How Neural Nets Enable Us to Learn and Remember5.4. Modeling How Mirror Neurons Learn and Function5.5. Empathy and the Brain5.6. Einfühlung and the Motor Component of Contemplation5.7. Neuroaesthetics Revisited, and More Chapter 6. From Libraries to Wayfinding, Waylosing, and Symbolism6.1. Libraries6.2. A Cognitive Account of Wayfinding6.3. It Takes More Than a Hippocampus to Build a Cognitive Map6.4. Symbolism and Symbols Chapter 7. When Buildings Have "Brains"7.1. Machines for Living In, Revisited7.2. Can Architecture Be Smart, Can Intelligence Be Artificial?7.3. The Interactive Space Ada7.4. Neuromorphic Architecture: Neural and Physical Spaces for Buildings7.5. Community & Biophilia7.6. Where Might Neuromorphic Architecture Lead Us? Chapter 8. Evolving the Architecture-Ready Brain8.1. Introducing the X-Ready Brain8.2. From Mirror Systems to Complex Imitation, Pantomime and Pedagogy8.3. From Pantomime to Protolanguages and On to Languages8.4. The Language-Ready Brain is Also Construction-Ready and Drawing-Ready8.5. The Neuropsychology of Drawing8.6. Is Architecture a Language for the Architecture-Ready Brain? Chapter 9. Experience and Design: Case Studies9.1. Imagination and Design: Our Initial Framework9.2. Jørn Utzon's Experience and Design: The Sydney Opera House9.3. Sketching and Model-Making: Frank Gehry's Bilbao Guggenheim Chapter 10. Experience and Design: Bringing in the Brain10.1. Towards IBSEN: Modeling Imagination in Brain Systems for Episodes and Navigation10.2. Multi-Modal Perception Within the Action-Perception Cycle10.3. Linking Memory and Imagination: The Hippocampus and More10.4. From Scripts to Cognitive Maps to Buildings10.5. And So We Come to the End Which is a Beginning About the Author

Arbib covers brains and the environment, perspective on space, learning and memory, emotion, wayfinding, the architecture-ready brain, buildings with brains, and experience and design.