A nameless narrator and his friend Alberto move through a constantly morphing continuum of dream-like situations while discussing philosophy, literature, and war. The impossible question of an enormous student in a lecture hall at an English university sets off a series of alternate paths that open before them like a fan. In taverns, boats, and plazas, the two protagonists discuss John Donne, Lawrence of Arabia, and Lenin with English students, a group of young and old women, and eight hundred drinkers, all the while being dropped from one strange place into the next. A remarkable work of refined surreal comedy.
Pablo Katchadjian was born in Buenos Aires in 1977. He is the author of three novels-What To Do, Thanks, and Total Freedom-and a wide array of short stories, poems, and essays. His artistic collaborations include an operatic adaptation of his work alongside the composer Lucas Fagin.Priscilla Posada is a literary translator from Spanish into English. She is currently working on a translation of Pablo Katchadjian’s novel Thanks.
The overall effect falls somewhere between the delicate constructions of Cesar Aira and Kurt Vonnegut’s Slaughterhouse Five
A nameless narrator and his friend Alberto move through a constantly morphing continuum of dream-like situations while discussing philosophy, literature, and war. The impossible question of an enormous student in a lecture hall at an English university sets off a series of alternate paths that open before them like a fan. In taverns, boats, and plazas, the two protagonists discuss John Donne, Lawrence of Arabia, and Lenin with English students, a group of young and old women, and eight hundred drinkers, all the while being dropped from one strange place into the next. A remarkable work of refined surreal comedy.
Pablo Katchadjian was born in Buenos Aires in 1977. He is the author of three novels-What To Do, Thanks, and Total Freedom-and a wide array of short stories, poems, and essays. His artistic collaborations include an operatic adaptation of his work alongside the composer Lucas Fagin.Priscilla Posada is a literary translator from Spanish into English. She is currently working on a translation of Pablo Katchadjian’s novel Thanks.
The overall effect falls somewhere between the delicate constructions of Cesar Aira and Kurt Vonnegut’s Slaughterhouse Five