Western Codification of Criminal Law

A Revision of the Myth of its Predominant French Influence

Häftad, Engelska, 2019

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This volume addresses an important historiographical gap by assessing the respective contributions of tradition and foreign influences to the 19th century codification of criminal law.

Produktinformation

Utgivningsdatum2019-02-01
Mått156 x 234 x 23 mm
Vikt613 g
FormatHäftad
SpråkEngelska
SerieStudies in the History of Law and Justice
Antal sidor427
FörlagSpringer Nature Switzerland AG
ISBN9783030101299

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Part I.- Tradition and Foreign Influences in the 19th century Codification of Criminal Law by Aniceto Masferrer.- Part II.- The Influence of the Napoleonic Penal Code on the Development of Criminal Law in Germany by Karl Härter.- Ignoring France? Possible French Influences on the Development of Austrian Penal Law in the 19th century by Martin Paul Schennach.- The influence of the French Penal Code of 1810 on the Belgian Penal Code of 1867 by Yves Cartuyvels.- The Influence of the French Penal Code of 1810 over the ‘General Part’ of the Portuguese Penal Code of 1852 by Frederico de Lacerda da Costa Pinto.- An Autonomous Path for the Italian Penal Code of 1889 by Stefano Vinci.- The Roots of Italian Penal Codification by Michele Pifferi.- The Myth of French Influence over Spanish Codification by Aniceto Masferrer.- The Influence exerted by the 1819 Criminal Code of the Two Sicilies upon nineteenth-century Spanish Criminal Law Codification and its Projection in Latin America by Emilia Iñesta-Pastor.- Part III.- The ‘Code Pénal’ in the Itinerary of the Criminal Codification in America and Europe by Diego Nunes.- Codifying the Criminal Law in Argentina by Alejandro Agüero.- From Free Will to Social Defense (or from Cesare Beccaria to Cesare Lombroso) by Jorge Núñez.- The 1830 Criminal Code of the Brazilian Empire and its Originality by Ignacio María Poveda Velasco .- The Mexican Codification of Criminal Law by Oscar Cruz Barney.- Part IV.- European and US Influences on the 19th century Prison Reform by Isabel Ramos Vázquez.