Jane Aaron is Professor of Literature at the University of Glamorgan. She is the editor of Honno Press's Welsh Women's Classics series, and her monograph Nineteenth-Century Women's Writing in Wales won the 2009 Roland Mathias Prize.

• Part I. Haunted by History Chapter 1. Cambria Gothica (1780s-1820s) i. Romantic tourists in Gothic Wales ii. In the Devil's Parlour iii. Acts of Union iv. Gothic Histories Chapter 2. An Underworld of One's Own (1830s-1900s) i. The Doom of the Cymry ii. Embracing the Underworld iii. Arthur Machen's Underworld in the West Chapter 3. Haunted Communities (1900s-1940s) i. The Devil in Zion ii. Coalfield Gothic Chapter 4. Land of the Living Dead (1940s-1997) i. The Return of the Repressed ii. A Zombie Culture iii. Border Vampires Part II. 'Things that go bump in the Celtic Twilight' Chapter 5. Witches, Druids and the Hounds of Annwn i. The Witch as Wise Woman and Avenger ii. Druid Sacrifice iii. Hunting with Hellhounds Chapter 6. The Sin-eater i. The Historical Sin-eater ii. The Welsh Sin-eater in Literature iii. Sin-eating beyond Wales

Jane Aaron's magisterial monograph brings to light just how thoroughly Wales was Gothicised from Mary Robinson to Arthur Machen, Caradoc Evans to Gwyn Thomas and through to Ruth Bidgood. Arguing that the eighteenth and nineteenth-century medievalism (which mythologised Celtic origins of Welsh nationalism) also haunted Welsh writing at least until 1997, she skilfully exorcises spectres of decline and dissolution which are definitively Welsh - the scapegoat, the sin-eater, whole families cursed by disease and capitalist exploitation, and individuals doomed to guilt and self-loathing by inward-looking communities. This comprehensive and bold work of scholarship will change the way we think about both the history of Gothic and Welsh Writing in English. Professor Caroline Franklin, Director at the Centre for Research into Gender, Culture and Society This is an exhilarating study, which confirms Professor Aaron's reputation for groundbreaking publications. She here demonstrates how the Gothic imagination materialises at all the key points in the historical development of modern Wales, repeatedly furnishing a threatened culture with a dark grammar for its deepest anxieties. And, in the process, she succeeds in finding a significant place for Wales for the first time in the haunted international landscape of Gothic writing.

Jane Aaron is Professor of Literature at the University of Glamorgan. She is the editor of Honno Press's Welsh Women's Classics series, and her monograph Nineteenth-Century Women's Writing in Wales won the 2009 Roland Mathias Prize.

• Part I. Haunted by History Chapter 1. Cambria Gothica (1780s-1820s) i. Romantic tourists in Gothic Wales ii. In the Devil's Parlour iii. Acts of Union iv. Gothic Histories Chapter 2. An Underworld of One's Own (1830s-1900s) i. The Doom of the Cymry ii. Embracing the Underworld iii. Arthur Machen's Underworld in the West Chapter 3. Haunted Communities (1900s-1940s) i. The Devil in Zion ii. Coalfield Gothic Chapter 4. Land of the Living Dead (1940s-1997) i. The Return of the Repressed ii. A Zombie Culture iii. Border Vampires Part II. 'Things that go bump in the Celtic Twilight' Chapter 5. Witches, Druids and the Hounds of Annwn i. The Witch as Wise Woman and Avenger ii. Druid Sacrifice iii. Hunting with Hellhounds Chapter 6. The Sin-eater i. The Historical Sin-eater ii. The Welsh Sin-eater in Literature iii. Sin-eating beyond Wales

Jane Aaron's magisterial monograph brings to light just how thoroughly Wales was Gothicised from Mary Robinson to Arthur Machen, Caradoc Evans to Gwyn Thomas and through to Ruth Bidgood. Arguing that the eighteenth and nineteenth-century medievalism (which mythologised Celtic origins of Welsh nationalism) also haunted Welsh writing at least until 1997, she skilfully exorcises spectres of decline and dissolution which are definitively Welsh - the scapegoat, the sin-eater, whole families cursed by disease and capitalist exploitation, and individuals doomed to guilt and self-loathing by inward-looking communities. This comprehensive and bold work of scholarship will change the way we think about both the history of Gothic and Welsh Writing in English. Professor Caroline Franklin, Director at the Centre for Research into Gender, Culture and Society This is an exhilarating study, which confirms Professor Aaron's reputation for groundbreaking publications. She here demonstrates how the Gothic imagination materialises at all the key points in the historical development of modern Wales, repeatedly furnishing a threatened culture with a dark grammar for its deepest anxieties. And, in the process, she succeeds in finding a significant place for Wales for the first time in the haunted international landscape of Gothic writing.

Jane Aaron is Professor of Literature at the University of Glamorgan. She is the editor of Honno Press's Welsh Women's Classics series, and her monograph Nineteenth-Century Women's Writing in Wales won the 2009 Roland Mathias Prize.

• Part I. Haunted by History Chapter 1. Cambria Gothica (1780s-1820s) i. Romantic tourists in Gothic Wales ii. In the Devil's Parlour iii. Acts of Union iv. Gothic Histories Chapter 2. An Underworld of One's Own (1830s-1900s) i. The Doom of the Cymry ii. Embracing the Underworld iii. Arthur Machen's Underworld in the West Chapter 3. Haunted Communities (1900s-1940s) i. The Devil in Zion ii. Coalfield Gothic Chapter 4. Land of the Living Dead (1940s-1997) i. The Return of the Repressed ii. A Zombie Culture iii. Border Vampires Part II. 'Things that go bump in the Celtic Twilight' Chapter 5. Witches, Druids and the Hounds of Annwn i. The Witch as Wise Woman and Avenger ii. Druid Sacrifice iii. Hunting with Hellhounds Chapter 6. The Sin-eater i. The Historical Sin-eater ii. The Welsh Sin-eater in Literature iii. Sin-eating beyond Wales

Jane Aaron's magisterial monograph brings to light just how thoroughly Wales was Gothicised from Mary Robinson to Arthur Machen, Caradoc Evans to Gwyn Thomas and through to Ruth Bidgood. Arguing that the eighteenth and nineteenth-century medievalism (which mythologised Celtic origins of Welsh nationalism) also haunted Welsh writing at least until 1997, she skilfully exorcises spectres of decline and dissolution which are definitively Welsh - the scapegoat, the sin-eater, whole families cursed by disease and capitalist exploitation, and individuals doomed to guilt and self-loathing by inward-looking communities. This comprehensive and bold work of scholarship will change the way we think about both the history of Gothic and Welsh Writing in English. Professor Caroline Franklin, Director at the Centre for Research into Gender, Culture and Society This is an exhilarating study, which confirms Professor Aaron's reputation for groundbreaking publications. She here demonstrates how the Gothic imagination materialises at all the key points in the historical development of modern Wales, repeatedly furnishing a threatened culture with a dark grammar for its deepest anxieties. And, in the process, she succeeds in finding a significant place for Wales for the first time in the haunted international landscape of Gothic writing.