Kobena Mercer is Assistant Professor in the Art History and History of Consciousness programs at the University of California at Santa Cruz.

• Introduction; 1: Monster Metaphors; 2: Diaspora Culture and the Dialogic Imagination; 3: Recoding Narratives of Race and Nation; 4: Black Hair/Style Politics; 5: Black Masculinity and the Sexual Politics of Race; 6: Reading Racial Fetishism; 7: Dark & Lovely; 8: Black Art and the Burden of Representation; 9: Welcome to the Jungle; 10: “1968”

"A passionate and detailed history of the New Black British Cultural Studies by one of the major players in its making. In its attention to "the formal and strategic aesthetics of hybridity," and to the differences and alliances between Black US and Black British, this book is indeed "intranational and outernational." -- Gayatri Chakravorty Spivak

Kobena Mercer is Assistant Professor in the Art History and History of Consciousness programs at the University of California at Santa Cruz.

• Introduction; 1: Monster Metaphors; 2: Diaspora Culture and the Dialogic Imagination; 3: Recoding Narratives of Race and Nation; 4: Black Hair/Style Politics; 5: Black Masculinity and the Sexual Politics of Race; 6: Reading Racial Fetishism; 7: Dark & Lovely; 8: Black Art and the Burden of Representation; 9: Welcome to the Jungle; 10: “1968”

"A passionate and detailed history of the New Black British Cultural Studies by one of the major players in its making. In its attention to "the formal and strategic aesthetics of hybridity," and to the differences and alliances between Black US and Black British, this book is indeed "intranational and outernational." -- Gayatri Chakravorty Spivak

Kobena Mercer is Assistant Professor in the Art History and History of Consciousness programs at the University of California at Santa Cruz.

• Introduction; 1: Monster Metaphors; 2: Diaspora Culture and the Dialogic Imagination; 3: Recoding Narratives of Race and Nation; 4: Black Hair/Style Politics; 5: Black Masculinity and the Sexual Politics of Race; 6: Reading Racial Fetishism; 7: Dark & Lovely; 8: Black Art and the Burden of Representation; 9: Welcome to the Jungle; 10: “1968”

"A passionate and detailed history of the New Black British Cultural Studies by one of the major players in its making. In its attention to "the formal and strategic aesthetics of hybridity," and to the differences and alliances between Black US and Black British, this book is indeed "intranational and outernational." -- Gayatri Chakravorty Spivak