Way of Inuit Art

Aesthetics and History in and Beyond the Arctic

Häftad, Engelska, 2011

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Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars.Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art.Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists' reactions to Wojewoda's work.

Produktinformation

Utgivningsdatum2011-06-06
Mått175 x 251 x 18 mm
Vikt545 g
FormatHäftad
SpråkEngelska
Antal sidor304
FörlagMcFarland & Co Inc
ISBN9780786464128

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Konsthistoria inom Kultur

Table of ContentsAcknowledgments Preface Introduction PART1. Arctic TraditionsThe Traditional Way of Life “Primitive” Patterns I (Primitive and Paleolithic) The Arctic Small Tool Tradition (ASTt) Post-Arctic Small Tool Tradition in Alaska 2. Shamanistic TraditionsShamanism The Supernatural Basis of Shamanistic Power The Shaman’s Initiation “Primitive” Patterns II (Shamanism and Art) 3. Dorset and Thule Traditions in Canada“Primitive” Patterns III (Style and Culture) The Dorset The Thule PART4. Historic InuitNew Traditions of Inuit Carving New Traditions of Inuit Printmaking Market and Educational Expansions 5. Western Aesthetics and InuitThe Western Categorical Context “Primitive” Patterns IV (“Low” Art) Inuit Art in the Modernist Context Inuit Art in the Postmodernist Context “Primitive” Patterns V (Primitivist Art) 6. Interviews with Inuit ArtistsThe Interviews Female Inuit Carvers from Arviat (Eskimo Point) and Kangiqsliniq (Rankin Inlet) Male Inuit Carvers from Arviat, Kangiqsliniq and Qamani’tuaq (Baker Lake) Female and Male Inuit Printmakers from Qamani’tuaq 7. Art by Nicola Wojewoda and Inuit Artists’ Responses toNicola Wojewoda Drawings and Paintings Alternative Media Sculpture Conclusion Notes Bibliography Index