Waterlily

Ella Cara Deloria (1889–1971) was born on the Yankton reservation in South Dakota and grew up in a prominent family on the Standing Rock reservation during a disruptive time in her tribe's history. She studied at Columbia University with Franz Boas and became an ethnologist. She is the author of Dakota Texts and Speaking of Indians, both available in Bison Books editions, Dakota Grammar, and many other works. Susan Gardner is an associate professor of English at the University of North Carolina, Charlotte, and is the author of several articles and a forthcoming biography on Ella Deloria.

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"Exquisite evocation, in novelistic form, of the life of a female Dakota (Sioux) in the mid-nineteenth century, before whites settled the plains. . . . An unself-conscious and never precious or quaint pairing of scholarship and fiction."—Kirkus "[Deloria's] novel is a distinguished work of literature at the same time that it is an important exercise in historical reconstruction, based on her wide and deep study of Dakota texts."—World Literature Today "Waterlily is by one who knows the culture from within, and in its instruction about Dakota ethnography the book strikes me . . . as wonderfully fine. Day to day life of the traditional Dakota is rendered in sympathetic detail."—Arnold Krupat, The Nation "Deloria tells universal truths cast in an authentic framework of early nineteenth-century Plains Indian society. . . . The feminine point of view is genius."—Journal of the West "Ella Deloria was an original, creative, esteemed Native scholar, and a novelist. Waterlily is a singular, spirited family story of the Dakota. The cultural scenes in this novel are as beautiful as the water lilies."—Gerald Vizenor, author of Bear Island: The War at Sugar Point "No one is better qualified than Deloria to draw together a series of Sioux female characters such as the ones central to this novel. . . . Deloria was bilingual as well as bicultural. Through her work we see the value of the insider's perspective as a bridge of understanding for those outside the culture."—Ines Talamantez, Los Angeles Times