Waterfall Girls

Kimberly White’s poetry has appeared in The Massachusetts Review, Cream City Review, Skidrow Penthouse, and other journals and anthologies. She is the author of four chapbooks: Penelope, A Reachable Tibet, The Daily Diaries of Death, and Letters to a Dead Man; as well as two other novels: Bandy’s Restola, and Hotel Tarantula. She also dabbles in collage art and photography, and spends most of her time in Northern California with her pens and papers and massive collection of Tarot decks.

"In Kimberly White's Waterfall Girls, you feel the mist of the rushing water against your skin. The writing is rich and deeply hypnotic, beckoning the reader to keep reading, and to fall. This is an absolutely beautiful and tragic book."-Cynthia Pelayo, author of Into the Forest and All the Way Through  "Waterfall Girls by Kimberly White is a séance for the dead, a meditation on grief, pain, and the murky waters that flow in between. Thought-provoking and written with a gorgeous sadness, readers will be mesmerized by this book-turned-scrying glass, unable to look away and impossible to put down."-Stephanie M. Wytovich, author of Mourning Jewelry "Kimberly White's Waterfall Girls oozes with lyrical beauty & wonder. At once experimental and reminiscent of ancient tragedies, I found myself captivated by every presence, every witness, every chorus of language. If you're looking for writing that will assist you in escaping wholly into a world of lore and originality, writing that will "force-[fill] your lungs and [wash] your consciousness through the veil", look no further than this stunning book."- Kailey Tedesco, author of FOREVERHAUS, Lizzie, Speak, and She Used to be on a Milk Carton "A portrait of the sublime, of an inevitable force at the convergence of beauty and death. The paradoxical overcoming of an irresistible oppressive force by succumbing to it. Grief, suicide, power, and freedom."  -Charlene Elsby, author of Hexis "A grotesque and lyrical trip into ecofeminism and collective story. Waterfall Girls conjure a neogothic precipice, the natural moments when death, mythos, and beauty dive into making the sublime." -Monique Quintana, author of Cenote City