. . . a brilliant digest of Benjamins life . . . It draws on a mass of texts, including his accounts of a privileged Berlin upbringing and travel diaries. [Leslie] presents a definitive portrait of Benjamin the materialist, lingers on his obsession with childrens books, and makes excellent use of German sources to detail his movements and finances. - The IndependentLeslie has inhaled the author of The Arcades Project as Kazin inhaled Blake. Benjamin, in fact, seems more coherent in her page than in his own . . . It is as if, by evoking the tactile vitality of all that he touched with his thought, Leslie brings him back alive and kicking from the last border he crossed. Argue if you wish with his idea of aura, his hierarchies of meaning or whether mechanical reproduction is good for the masses. But the mind that put Kafka and Chaplin into the same conceptual frame is his very own Klee painting, an Angelus Novus - the angel of history. - John Leonard, Harpers Magazine