Michael P. Steinberg is Director of the Cogut Center for the Humanities and Professor of History and Music at Brown University. He is the author of Austria as Theater and Ideology: The Meaning of the Salzburg Festival; Walter Benjamin and the Demands of History (both from Cornell); and Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music.

"The essays offer an important range of views from an international array of historians and literary and cultural critics. These essays investigate Benjamin's engagement with the 'materiality of the past and the epistemology and ethics of its recuperation' the world made available 'in language but also beyond language.'"—Len Findlay, The Structuralist, 1997/1998

Michael P. Steinberg is Director of the Cogut Center for the Humanities and Professor of History and Music at Brown University. He is the author of Austria as Theater and Ideology: The Meaning of the Salzburg Festival; Walter Benjamin and the Demands of History (both from Cornell); and Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music.

"The essays offer an important range of views from an international array of historians and literary and cultural critics. These essays investigate Benjamin's engagement with the 'materiality of the past and the epistemology and ethics of its recuperation' the world made available 'in language but also beyond language.'"—Len Findlay, The Structuralist, 1997/1998

Michael P. Steinberg is Director of the Cogut Center for the Humanities and Professor of History and Music at Brown University. He is the author of Austria as Theater and Ideology: The Meaning of the Salzburg Festival; Walter Benjamin and the Demands of History (both from Cornell); and Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music.

"The essays offer an important range of views from an international array of historians and literary and cultural critics. These essays investigate Benjamin's engagement with the 'materiality of the past and the epistemology and ethics of its recuperation' the world made available 'in language but also beyond language.'"—Len Findlay, The Structuralist, 1997/1998