Uwe Schütte worked as Reader in German in British higher education until Brexit. He has edited over ten volumes and written more than fifteen monographs on contemporary German-language literature and German pop music, with a focus on W. G. Sebald, Heiner Müller and Kraftwerk.

• Part I. Biograpical Aspects: 1. Allgäu Kai Wolfinger; 2. Sebald's grandfather Christoph Steker; 3. Manchester Catharine Annabel; 4. East Anglia Jo Catling; 5. Academia Florian Radvan; 6. The British centre for literary translation Duncan Large; 7. Between Germany and Britain Rüdiger Görner; Part II. The Literary Works: 8. Unpublished Juvenilia Melissa Etzler; 9. Film scripts Michael Hutchins; 10. The 'Prose project'Paul Whitehead; 11. Auto-/biography Christoph Singer; 12. Natural history and the anthropocene Bernhard Malkmus; 13. The corsica project Lisa Kunze; 14. Poetry Iain Galbraith; 15. The world war project Richard Hibbitt; 16. Interviews Torsten Hoffmann; Part III. Themes and Influences: 17. Critical writings Sven Meyer; 18. Minor writing Uwe Schütte; 19. Franz kafka Ritchie Robertson; 20. Literary predecessors Ben Hutchinson; 21. Walter benjamin Luisa Banki; 22. Philosophical models and influences Paul Thompson; 23. History Lynn L. Wolff; 24. Polemics Uwe Schütte; 25. Holocaust Jakob Hessing; 26. Photography Nick Warr; 27. Paintings and ekphrasis Leonida Kovač; 28. Media theory Florian Leitner; 29. Travel writing David Anderson; 30. Eco-criticism and animal studies Lisa Kunze; Part IV. Reception and Legacy: 31. Sebald scholarship Lynn L. Wolff; 32. Sebald in translation Martin Schauss; 33. The 'Sebaldian' Adrian Nathan West; 34. Film Andrew J. Webber; 35. Pop music Hendrik Otremba; 36. Literary prizes Uwe Schütte; 37. Visual arts and exhibitions Terry Pitts; 38. The cult of Sebald Ian Ellison.

'A terrific book which manages to return Sebald-studies back to a Sebaldian place where grand historical sweeps and the merest marginalia illuminate each other to new effect. Overall, it refreshes both our sense of Sebald as an academic and literary subversive and of the astonishing breadth of themes addressed in and provoked by his work - in film, in pop music, in relation to the Anthropocene, in the cult of The Sebaldian to name a few - and it does so while remaining accessible.' Grant Gee, director of Patience: After Sebald (2011)