• 1. Introduction; 2. Mozart and the opera buffa tradition Michael F. Robinson; 3. Beaumarchais, da Ponte and Mozart: from play to opera; 4. Synopsis; 5. Verse and music in Le nozze di Figaro; 6. Opera buffa and the Classical style: the Act I trio; 7. Music and drama in Le nozze di Figaro; 8. Le nozze di Figaro: a brief performance history; Notes; Select bibliography; Discography Malcolm Walker.

"...an outstanding and substantive discussion of Da Ponte's role in creating the libretto of Figaro...The synopsis of the plot includes significant musical factors, although not at the expense of an engaging narrative flow." James P. Fairleigh, Notes

• 1. Introduction; 2. Mozart and the opera buffa tradition Michael F. Robinson; 3. Beaumarchais, da Ponte and Mozart: from play to opera; 4. Synopsis; 5. Verse and music in Le nozze di Figaro; 6. Opera buffa and the Classical style: the Act I trio; 7. Music and drama in Le nozze di Figaro; 8. Le nozze di Figaro: a brief performance history; Notes; Select bibliography; Discography Malcolm Walker.

"...an outstanding and substantive discussion of Da Ponte's role in creating the libretto of Figaro...The synopsis of the plot includes significant musical factors, although not at the expense of an engaging narrative flow." James P. Fairleigh, Notes

• 1. Introduction; 2. Mozart and the opera buffa tradition Michael F. Robinson; 3. Beaumarchais, da Ponte and Mozart: from play to opera; 4. Synopsis; 5. Verse and music in Le nozze di Figaro; 6. Opera buffa and the Classical style: the Act I trio; 7. Music and drama in Le nozze di Figaro; 8. Le nozze di Figaro: a brief performance history; Notes; Select bibliography; Discography Malcolm Walker.

"...an outstanding and substantive discussion of Da Ponte's role in creating the libretto of Figaro...The synopsis of the plot includes significant musical factors, although not at the expense of an engaging narrative flow." James P. Fairleigh, Notes