Voices of Vietnam

A Century of Radio, Red Music, and Revolution

Häftad, Engelska, 2022

AvLonán Ó Briain,University of Nottingham) O Briain, Lonan (Associate Professor of Music, Associate Professor of Music,Lonán Ó. Briain,Lonán, Ó Briain

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On September 2, 1945, Ho Chi Minh read out the Vietnamese Declaration of Independence over a makeshift wired loudspeaker system to thousands of listeners in Hanoi. Five days later, Ho's Viet Minh forces set up a clandestine radio station using equipment brought to Southeast Asia by colonial traders. The revolutionaries garnered support for their coalition on air by interspersing political narratives with red music (nhạc đỏ). Voice of Vietnam Radio (VOV) grew from these communist and colonial foundations to become one of the largest producers of music in contemporary Vietnam. In this first comprehensive English-language study on the history of radio music in mainland Southeast Asia, Lonán Ó Briain examines the broadcast voices that reconfigured Vietnam's cultural, social, and political landscape over a century. Ó Briain draws on a year of ethnographic fieldwork at the VOV studios (2016-17), interviews with radio employees and listeners, historical recordings and broadcasts, and archival research in Vietnam, France, and the United States. From the Indochinese radio clubs of the 1920s to the 75th anniversary celebrations of the VOV in 2020, Voices of Vietnam: A Century of Radio, Red Music, and Revolution offers a fresh perspective on this turbulent period by demonstrating how music production and sound reproduction are integral to the unyielding process of state formation.

Produktinformation

Utgivningsdatum2022-01-05
Mått157 x 236 x 13 mm
Vikt322 g
FormatHäftad
SpråkEngelska
Antal sidor220
FörlagOUP USA
ISBN9780197558249

Tillhör följande kategorier

Världsmusik inom Kultur
Musikböcker inom Kultur
Medievetenskap inom Samhälle och politik
Film inom Kultur
Television inom Kultur
Klassisk musik, konstmusik och orkestermusik inom Kultur
Musikhistoria inom Kultur

AcknowledgementsList of IllustrationsIntroduction: On Radio, Red Music, and RevolutionDefining Red MusicA Continuous RevolutionRadio and VoiceSocial History of Sound ReproductionEthnographic and Archival ResearchStructure of the BookNote on Language and MusicChapter 1: Sound, Technology, and Culture in French IndochinaCultural Colonialism in French IndochinaTrading Instruments, Scores, and Recordings The Gramophone as a Lifestyle ChoiceRadio as a Technology of the FuturePublic Radio in French IndochinaThe Radio Club of Northern IndochinaInstability under Japanese OccupationLocal Clubs with Global PerspectivesChapter 2: Battle of the Airwaves during the First Indochina WarProducing the Declaration of IndependenceViet Minh Clandestine Radio in the MountainsMaking Music for the MassesCosmopolitan Styles on Radio HanoiInventing Traditions for the VietnameseForgotten Musicians of the Vi?t Nh?c EnsembleViet Minh Radio becomes the Official Voice of Vietnam Chapter 3: Songs of the Golden Age in the Democratic RepublicRadio Infrastructure in the DRVRecording, Broadcasting, and Receiving SignalsVOV Directives and Programming TraditionsIconic Voices, Musicians, and SingersLocal and International ToursReification of Gender Roles Men as Administrators and ComposersWomen as Mothers and MartyrsChildren as Nephews and NiecesListening and Responding in the SouthMusic for the Liberation of Saigon, April 30, 1975Sonic Reterritorialization of the Socialist StateChapter 4: National Radio in the Reform EraPost-War Unification of the Musical MediaChallenges and Opportunities in the Reform EraVOV3: A Place for MusicProgramming the Minorities on AirCurating the Past: The VOV Sound Centre and its Archives History of the VOV Soun d CentreEngaging with the ArchivesForecasting the Future: Listener-Centred ProductionsSurveying the Musical Preferences of AudiencesResponding to Audience DemandRevolutionizing the Medium, Regurgitating the MessageChapter 5: Studio Production in Contemporary VietnamThe Politics of Intangible Cultural HeritageRepresenting the Nation with Traditional MusicIn the Rehearsal Hall, July 12, 2016In the Recording Studio, July 15, 2016Redefining the Nation with New MusicIn the Rehearsal Hall, July 13, 2016In the Recording Studio, July 14, 2016Post-Production and DisseminationReproducing the Homeland in the Late-Reform EraConclusion: Nostalgia for the Past, Hope for the FutureNotesBibliographyInterviewsIndex

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