Del 0 - Orpheus Institute Series

Voices, Bodies, Practices

Performing Musical Subjectivities

Häftad, Engelska, 2019

AvCatherine Laws,William Brooks,David Gorton,Thanh Thủy Nguyễn,Stefan Östersjö,Jeremy J. Wells,Thanh Thuy Nguyen,Stefan Ostersjo

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Identity and subjectivity in musical performancesWho is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing “voices” can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Produktinformation

Utgivningsdatum2019-11-15
Mått195 x 285 x 29 mm
Vikt1 158 g
FormatHäftad
SpråkEngelska
SerieOrpheus Institute Series
Antal sidor280
FörlagLeuven University Press
ISBN9789462702059

Tillhör följande kategorier

Musikvetenskap inom Kultur
Övriga konstformer inom Kultur

Catherine Laws is a pianist, reader in Music at the University of York, and senior artistic research fellow at the Orpheus Institute. William Brooks is professor of music at the University of York, emeritus professor at the University of Illinois, scholar-in-residence at the Newberry Library, and senior research fellow at the Orpheus Institute. David Gorton is a composer, senior postgraduate tutor and associate head of research at the Royal Academy of Music, associate professor at the University of London, and associate researcher at the Orpheus Institute, Ghent. Thanh Thủy Nguyễn is a đàn tranh player, a PhD candidate at Malmo Academy of Music at Lund University, and a đàn tranh teacher at Vietnam National Academy of Music. Stefan Östersjö is a guitarist, chaired professor of Musical Performance in Piteå School of Music at Luleå University of Technology, and associate researcher at the Orpheus Institute, Ghent. Jez Wells is an audio designer and senior lecturer in Sound Recording in the Department of Music at the University of York.

FiguresContents of the Online Repository of Supplemental FilesIntroductionCatherine LawsChapter 1Austerity Measures I: Performing the Discursive VoiceDavid Gorton and Stefan ÖstersjöPart 1: Collaboration and the discursive voicePart 2: Analysing the discursive voice in performanceConclusionsChapter 2Being a Player: Agency and Subjectivity in Player PianoCatherine LawsPart 1: Player Piano and Saying “I”Part 2: The Embodied Subject in Player PianoPart 3: Instrument as AgentPart 4: From Instrument to EcologyPostlude: “Alone With My Ten Fingers”?Chapter 3FootnotesWilliam Brooks, Stefan Östersjö, and Jeremy J. WellsPart 1Part 2Part 3 Chapter 4Arrival Cities: HanoiNguyễn Thanh Thủy and Stefan ÖstersjöArrival Cities: Hanoi1. Introduction2. Modes of collaboration3. Documentary, empathy, and inter-subjectivity4. The making of Arrival Cities: Hanoi5. The discursive voice in intercultural collaborationConclusionCatherine LawsReferencesNotes on ContributorsIndex