Visual Rhetoric

LESTER C. OLSON is Professor of Communication at the University of Pittsburgh, where he specializes in public address, rhetoric, and visual culture. His books include Emblems of American Community in the Revolutionary Era: A Study in Rhetorical Iconology (1991) and Benjamin Franklin’s Vision of American Community: A Study in Rhetorical Iconology (2004). His book on Franklin was recognized with awards from the Rhetoric Society of America and the National Communication Association, the two largest communication and rhetoric societies in the United States. His essays concerning visual rhetoric can be found in the Quarterly Journal of Speech and the Review of Communication. He earned his Ph.D. from the University of Wisconsin—Madison in 1984. Cara A. Finnegan is Associate Professor in the Departments of Speech Communication and Art History at the University of Illinois at Urbana-Champaign. Her research explores the social, political, and historical role of visual communication in the American public sphere. She is the author of Picturing Poverty: Print Culture and FSA Photographs (Smithsonian Press, 2003). Her essays on visual rhetoric have appeared in journals such as The Quarterly Journal of Speech, Rhetoric & Public Affairs, and Rhetoric Society Quarterly. She is a former recipient of the National Communication Association’s Diamond Anniversary Book Award and the Golden Monograph Award. Diane S. Hope serves as the William A. Kern Professor in Communications at the Rochester Institute of Technology. She publishes in the areas of visual communication and the rhetoric of social change. Publications include Visual Communication: Perception, Rhetoric and Technology (2006) and Earthwork (2001), a special issue of Women’s Studies Quarterly devoted to women and the environment. She was general editor of Women’s Studies Quarterly (2002-2005). Hope directs the Kern conferences on Visual Communication: Rhetorics and Technology, and Communication and Social Change. She received the National Communication Association award for excellence in research from the Visual Communication Division in 2004.

• Foreword: Visual Rhetorical Studies: Traces of Power Through Time and Space - Bruce E. GronbeckVisual Rhetoric in Communication: Continuing Questions and Contemporary Issues - Lester C. Olson, Cara A. Finnegan, and Diane S. HopeI. Performing and Seeing1. The Performative Dimension of Surveillance: Jacob Riis′ How the Other Half Lives - Reginald Twigg2. Embodying Normal Miracles - Nathan Stormer3. Recognizing Lincoln: Image Vernaculars in Nineteenth-Century Visual Culture - Cara A. Finnegan4. "What Lips These Lips Have Kissed": Refiguring the Politics of Queer Public Kissing - Charles E. Morris III and John M. SloopII. Remembering and Memorializing5. The Rhetoric of the Frame: Revisioning Archival Photographs in The Civil War - Judith Lancioni6. Representative Form and the Visual Ideograph: The Iwo Jima Image in Editorial Cartoons - Janis L. Edwards and Carol K. Winkler7. Reproducing Civil Rights Tactics: The Rhetorical Performances of the Civil Rights Memorial - Carole Blair and Neil Michel8. Remembering World War II: The Rhetoric and Politics of National Commemoration at the Turn of the 21st Century - Barbara Biesecker9. Public Identity and Collective Memory in U.S. Iconic Photography: The Image of "Accidental Napalm" - Robert Hariman and John Louis LucaitesIII. Confronting and Resisting10. The Precarious Visibility Politics of Self-Stigmatization: The Case of HIV/AIDS Tattoos - Daniel C. Brouwer11. Encountering Visions of Aztlan: Arguments for Ethnic Pride, Community Activism and Cultural Revitalization in Chicano Murals - Margaret R. LaWare12. The Guerrilla Girls′ Comic Politics of Subversion - Anne Teresa Demo13. Behold the Corpse: Violent Images and the Case of Emmett Till - Christine Harold and Kevin Michael DeLucaIV. Commodifying and Consuming14. The Force of Callas′ Kiss: The 1997 Apple Advertising Campaign, "Think Different" - Ronald Shields15. "Put Your Stamp on History": The USPS Commemorative Program Celebrate the Century and Postmodern Collective Memory - Ekaterina V. Haskins16. Memorializing Affluence in Post-War Families: Kodak′s Colorama in Grand Central Terminal - Diane S. HopeV. Governing and Authorizing17. Benjamin Franklin′s Pictorial Representations of the British Colonies in America: A Study in Rhetorical Iconology - Lester C. Olson18. Presidential Rhetoric′s Visual Turn: Performance Fragments and the Politics of Illusionism - Keith V. Erickson19. Mediating Hillary Rodham Clinton: Television News Practices and Image-Making in the Postmodern Age - Shawn J. Parry-Giles20. "To Veil the Threat of Terror": Afghan Women and the Clash of Civilizations in the Imagery of the U.S. War on Terrorism - Dana L. CloudAfterword: Look, Rhetoric! - Thomas W. Benson

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