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Sequential images are as natural at conveying narratives as verbal language, and have appeared throughout human history, from cave paintings and tapestries right through to modern comics. Contemporary research on this visual language of sequential images has been scattered across several fields: linguistics, psychology, anthropology, art education, comics studies, and others. Only recently has this disparate research begun to be incorporated into a coherent understanding. In The Visual Narrative Reader, Neil Cohn collects chapters that cross these disciplinary divides from many of the foremost international researchers who explore fundamental questions about visual narratives. How does the style of images impact their understanding? How are metaphors and complex meanings conveyed by images? How is meaning understood across sequential images? How do children produce and comprehend sequential images? Are visual narratives beneficial for education and literacy? Do visual narrative systems differ across cultures and historical time periods? This book provides a foundation of research for readers to engage in these fundamental questions and explore the most vital thinking about visual narrative. It collects important papers and introduces review chapters summarizing the literature on specific approaches to understanding visual narratives. The result is a comprehensive “reader” that can be used as a coursebook, a researcher resource and a broad overview of fascinating topics suitable for anyone interested in the growing field of the visual language of comics and visual narratives.
Neil Cohn is a Postdoctoral Fellow at the Center for Research in Language, University of California at San Diego, USA.
Preface, Neil Cohn1. Interdisciplinary approaches to visual narrative, Neil CohnPart 1: Theoretical approaches to sequential images2. Linguistically-oriented comics research in Germany, John Bateman and Janina Wildfeuer3. No content without form: Graphic style as the primary entrance to a story, Pascal Lefèvre4. Conceptual Metaphor Theory, Blending Theory, and other Cognitivist Perspectives on Comics, Charles Forceville5. Relatedness: Aspects of textual connectivity in comics, Mario Saraceni6. A Little Cohesion between Friends; Or, We’re Just Exploring Our Textuality: Reconciling Cohesion in Written Language and Visual Language, Eric StainbrookPart 2: Psychology and development of visual narrative7. Manga Literacy and Manga Comprehension in Japanese Children, Jun Nakazawa8. What happened and what happened next: Kids’ visual narratives across cultures, Brent WilsonPart 3: Visual narratives across cultures9. The Walbiri Sand Story, Nancy Munn10. Alternative representations of space: Arrernte Narratives in Sand, David Wilkins11. Sequential text-image pairings in the Classical Maya, Jesper Nielsen and Søren Wichmann12. Linguistic relativity and conceptual permeability in visual narratives: New distinctions in the relationship between language(s) and thought, Neil CohnFurther ReadingIndex
Even readers who are well-versed in the theory or history of visual narrative will discover unfamiliar methods and material ... The Reader rewards an open-minded narratological audience with a truly inspirational wealth of methods and examples from a wide array of cultural and historical contexts.