Visual Criminology

Johannes Wheeldon is Executive Director of SPEAK, an organization dedicated to expanding debate and dialogue. He has more than 20 years’ experience working in criminal justice including teaching in prisons, working with those deemed high risk to re-offend, and designing, conducting, and managing justice reform projects around the world. He has worked with the American Bar Association, the Canadian International Development Agency, the Open Society Foundations, and the World Bank. He has published 5 books and more than 30 peer review papers on aspects of criminal justice, restorative justice, organizational change, and evaluation. He is an Adjunct Professor at Norwich University.

• Visualizing Criminology; 1. The Visual Turn in Criminology; 2. Criminological Theory and Criminal Justice Practice: A Visual History; 3. Mapping Criminology and Criminal Justice through the Oral History Criminology Project; Diagrams and Data; 4. Mapping Criminological Thinking: Incorporating the Visual in the Classroom; 5. Visual Data Collection in Justice Research: From Photos and Film to Maps and Meaning; 6. Visualizing Criminal Careers with the Life History Plot; Understanding and Contesting Images; 7. Visualizing the Value(s) of Critical Criminology: Definitions, Debates, and Dialogue; 8. The Critical Foundations of Visual Criminology; 9. Using a Visual Criminology Facebook Group in Blended Instruction;; Visual Analysis and Policy Translation; 10. GIS, Hotspots and Visualizing Crime Prevention; 11. Rethinking Victimization: Visualizing Policy Based on Disorganization and Self-Control; 12. The Value of Data Visualization for Translational Criminology; 13. Visual Criminology: Caveats, Conclusions, and New Directions

"Taken together the chapters in this collection allow us to think more deeply about the image and, by extension, push at the margins of visual criminology."Kate West, Oxford Brookes University‘This exciting new collection brings together an impressive array of international scholars to explore the emergence, growth, and scope of visual approaches to criminology. The book illuminates not just the possibilities these approaches present for those who research, teach and develop policy in the discipline (and beyond), but also the limitations of the visual. With criminological enquiry increasingly turning to sensorial understandings, this book is an important contribution to these ongoing conversations.’Alyce McGovern, University of New South Wales‘Paying close attention to method and epistemology, this collection brings into sharper focus the oft-overlooked foreground of the field of visual criminology, and in doing so, stakes out another position from which to view an emergent field. An indispensable resource for criminologists tangling with the visual.’Travis Linnemann, Kansas State University‘From art and identity theft, via representations of offending and victimization, to the use of graphic and pictorial methods and data visualization, a huge field is opening up within criminology. Here an international range of authors examine visual criminology’s past and its ever-expanding future. A fascinating and important tour d’horizon.’Tim Newburn, London School of Economics‘This promises to be a very useful collection. The aim is to bring together a wide variety of visual methodologies including not only various types of visual images – including CCTV and documentary photography – but also social media, mind maps and visual geographical methods. By linking visual criminology with similar developments in sociological theory, the collection aims to set the current state of the 'visual turn' in criminology in the context of wider developments in social science.’Wendy Fitzgibbon, University of Leicester ‘Thinking about the visual, the sensory, and the recording of experience and memory, opens up the criminological imagination. This collection offers a welcome, timely and critical overview of research and debate on forms of representation and media technologies that ensnare and survey, teach and inspire.’ Nigel South, University of Essex‘Efforts to define what is in the purview of visual criminology have previously resulted in relatively narrow characterizations. This newly published volume moves us in the opposite direction and expands the various ways that visual forms of research and data are both employed by the criminal justice system as well as more sociological visual analysis approaches, including critical theories. In addition, some chapters focus on the use of visual criminological materials in teaching and student learning, including the explosion of visual data on the Internet and social media. Overall, the volume moves the discussion of visual criminology forward in multiple directions, and in all likelihood will inspire both students and faculty to adopt and expand upon these techniques.’Cecil Greek, University of South Florida‘Criminology has always been visual. In the coming years, we will bear witness to stunning growth in visual criminology. This book helps researchers and students see what’s been done, what’s going on, and where to go.’Scott Jacques, Georgia State University‘The question of how best to embrace the visual turn in criminology remains contested. This book serves as an excellent anthology of existing efforts. From a historical overview and current methods to a fascinating discussion of the power of images, it offers a means for a deeper understanding of crime and justice. This book is essential reading for students of criminology, sociology, human geography, public policy, and media studies.’Mohammad Irvan Olii, Universitas Indonesia