MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap.GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.

• Acknowledgments    Introduction - Matthew BernsteinGender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella ShohatPART ONE HISTORICAL AND GENERIC CONTEXTS    The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn StudlarThe Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLeanThe Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina HeungA Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan NadelPART TWO NATIONAL CINEMAS    The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'BrienPraying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley AndrewIn the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice MorgonTimeless Histories: A British Dream of Cleopatra - Mary HamerReading The Letter in a Postcolonial World - Phebe Shih ChaoOrientalism in Film: A Select BibliographyAbout the ContributorsIndex

A superb collection of essays which amply demonstrates that multiculturally oriented studies of cinema have come of age. - Virginia Wright Wexman (author of Creating the Couple: Love, Marriage, and Hollywood Performance) Challenges the reader to confront the ideological bias buried within Western film-making. Professors Bernstein and Studlar have assembled a significant collection of original essays which utilize broad theoretical concepts to illuminate particular films. The result, an engaging and stimulating book, makes an invaluable contribution to the study of cinema history, theory, and criticism. - Lester D. Friedman (Syracuse University) The first major collection of essays on Orientalism in American and European cinema... is indispensable reading for anyone interested in the politics of visual culture. - Susan White (University of Arizona) In Visions of the East, eleven cultural theorists use film as a point of departure for elaborating on Edward SaidÆs initial articulation of orientalism as a regime of knowledge constructed and maintained by Western hegemonies. . . . A superb, much needed, and timely text for anyone interested not only in understanding the historical contexts for such films but also in deconstructing their political and cultural ideologies. (Religious Studies Review)

MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap.GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.

• Acknowledgments    Introduction - Matthew BernsteinGender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella ShohatPART ONE HISTORICAL AND GENERIC CONTEXTS    The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn StudlarThe Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLeanThe Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina HeungA Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan NadelPART TWO NATIONAL CINEMAS    The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'BrienPraying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley AndrewIn the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice MorgonTimeless Histories: A British Dream of Cleopatra - Mary HamerReading The Letter in a Postcolonial World - Phebe Shih ChaoOrientalism in Film: A Select BibliographyAbout the ContributorsIndex

A superb collection of essays which amply demonstrates that multiculturally oriented studies of cinema have come of age. - Virginia Wright Wexman (author of Creating the Couple: Love, Marriage, and Hollywood Performance) Challenges the reader to confront the ideological bias buried within Western film-making. Professors Bernstein and Studlar have assembled a significant collection of original essays which utilize broad theoretical concepts to illuminate particular films. The result, an engaging and stimulating book, makes an invaluable contribution to the study of cinema history, theory, and criticism. - Lester D. Friedman (Syracuse University) The first major collection of essays on Orientalism in American and European cinema... is indispensable reading for anyone interested in the politics of visual culture. - Susan White (University of Arizona) In Visions of the East, eleven cultural theorists use film as a point of departure for elaborating on Edward SaidÆs initial articulation of orientalism as a regime of knowledge constructed and maintained by Western hegemonies. . . . A superb, much needed, and timely text for anyone interested not only in understanding the historical contexts for such films but also in deconstructing their political and cultural ideologies. (Religious Studies Review)

MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap.GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.

• Acknowledgments    Introduction - Matthew BernsteinGender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella ShohatPART ONE HISTORICAL AND GENERIC CONTEXTS    The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn StudlarThe Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLeanThe Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina HeungA Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan NadelPART TWO NATIONAL CINEMAS    The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'BrienPraying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley AndrewIn the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice MorgonTimeless Histories: A British Dream of Cleopatra - Mary HamerReading The Letter in a Postcolonial World - Phebe Shih ChaoOrientalism in Film: A Select BibliographyAbout the ContributorsIndex

A superb collection of essays which amply demonstrates that multiculturally oriented studies of cinema have come of age. - Virginia Wright Wexman (author of Creating the Couple: Love, Marriage, and Hollywood Performance) Challenges the reader to confront the ideological bias buried within Western film-making. Professors Bernstein and Studlar have assembled a significant collection of original essays which utilize broad theoretical concepts to illuminate particular films. The result, an engaging and stimulating book, makes an invaluable contribution to the study of cinema history, theory, and criticism. - Lester D. Friedman (Syracuse University) The first major collection of essays on Orientalism in American and European cinema... is indispensable reading for anyone interested in the politics of visual culture. - Susan White (University of Arizona) In Visions of the East, eleven cultural theorists use film as a point of departure for elaborating on Edward SaidÆs initial articulation of orientalism as a regime of knowledge constructed and maintained by Western hegemonies. . . . A superb, much needed, and timely text for anyone interested not only in understanding the historical contexts for such films but also in deconstructing their political and cultural ideologies. (Religious Studies Review)