Jaspal Kaur Singh is Professor of English Literature at Northern Michigan University, Marquette, Michigan, USA. She received her PhD in Comparative Literature from the University of Oregon. She was a Rockefeller Foundation Fellow at the Institute for the Study of Gender in Africa, James S. Coleman African Studies Center, UCLA and a Fulbright Nehru Senior Scholar in India. Her publications include a monograph, a coauthored book, and three coedited books: Representation and Resistance: South Asian and African Women Writers at Home and in the Diaspora (2008); Narrating the New Nation: South African Indian Writing (2018); Indian Writers: Transnationalisms and Diasporas (2010); Trauma, Resistance, Reconciliation in Post-1994 South African Writing (2010); and Negotiating Gender and Sexuality in Contemporary Turkey (2016).

• Introduction 1. Cultural Syncretism vs. Collective Psychic Fragmentation: The Construction of Sikh Gendered Identity 2. Mughal India and Colonialism: Revising History, Gender Identity and Violence in Bhai Veer Singh’s Sundri 3. Communal and Gender Violence in Shauna Singh Baldwin’s What the Body Remembers 4. Gendered Violence and Partition Memory in Postcolonial Novels and Films 5. Partition Narratives and Sikh Gendered Identity Construction: Memory of Violence in Khushwant Singh’s 1956 Novel Train to Pakistan 6. Gender and Memories of Trauma in Amrita Pritam’s 1950 Novella Pinjar and Poems 7. Violence, State Terror, and Gendered Sikh Identity: The Aftermath of Operation Blue Star in Gulzar’s 1996 Hindi film, Maachis (Matches) and Anurag Singh’s 2013 Punjabi Film, Punjab 1984 8. Traumatized Sikh Male and Female Subjects: Representations of Trauma and Memory in Amitoj Mann’s 2003 Punjabi Film Hawayein 9. (En)Gendering Nations in Manoj Punj’s 2004 Punjabi Film, Des Hoyaa Prades: When One’s Nation Becomes a Foreign Territory 10. Perpetrator Nation and the Cultural Memorialization of Sikh Trauma in Shonali Bose’s Novel, Amu (2004) 11. Once Again, the Turban: Terror and Gendered Sikh Identity in Liam Delzell’s Punjabi Cab, Satdeep Singh’s Taaj, and Sarab Singh Neelam’s Ocean of Pearls 12. Gendering the Sikh Diaspora and Transnational Feminism: The Construction of Sexuality in the Poems of Sukhjeet Kaur Khalsa (2016), Sharapal Ruprai (2014) and Rupi Kaur (2015 and 2017). Bibliography

‘It is rare to encounter a necessary book. Yet here it is. This book goes to the heart of a provocative thesis: the role of violence in the formation of Sikh identity and its impact, through historical, social and political forces, on Sikhs. A study of profound moments of misunderstandings and lost opportunities, this powerful work is a tour de force exemplar of how to examine communities marked by colonization, fear, elision, invisibility, and mystery without falling into the trap of reductionism. Nuances of class, gender, race, sex, and sexuality are brought to the fore, with many once-silenced Sikh women’s voices coming forth, and so, too, the complex dynamics of the internal diversity of Sikhs and the wider worlds in which they live. The result is a portrait of postcolonial challenges reaching beyond the focus community to worldwide challenges of our epoch. A must-read not only for those interested in Sikh and postcolonial studies but also anyone interested in understanding engendered violence in multidimensional ways. Read this book. Re-read it. Learn from it, and share its fecund ideas.’ Lewis R. Gordon, Honorary President of the Global Center for Advanced Studies‘This book provides an eloquent self-awareness and a rare glimpse into the complexities of Sikh identity. It is a remarkable addition to the oeuvre of a respected and leading postcolonial scholar. Singh highlights the predicament of Sikh women within the Indian and global Sikh community concomitant with the violence that Sikhs, particularly the turbaned and bearded males, encounter as represented in historical and contemporary literature and culture. The book analyzes representations of male Sikhs, often feminized and othered as hypermasculine, who struggle to construct a positive identity for themselves and their community in India and the diaspora, while female Sikhs, rendered invisible or voiceless, strive to negotiate empowering identities for themselves in liminal cultural and narrative spaces. Singh’s intersectional critique is courageous and innovative as she excavates personal and historical occurrences of trauma to revise, resist and renegotiate memories for empowering personal and communal identities for Sikhs. The book’s emotional and impassioned power once again demonstrates Singh’s extraordinary scholarly gifts.’Rajendra Chetty, Professor, University of the Western Cape, South Africa

Jaspal Kaur Singh is Professor of English Literature at Northern Michigan University, Marquette, Michigan, USA. She received her PhD in Comparative Literature from the University of Oregon. She was a Rockefeller Foundation Fellow at the Institute for the Study of Gender in Africa, James S. Coleman African Studies Center, UCLA and a Fulbright Nehru Senior Scholar in India. Her publications include a monograph, a coauthored book, and three coedited books: Representation and Resistance: South Asian and African Women Writers at Home and in the Diaspora (2008); Narrating the New Nation: South African Indian Writing (2018); Indian Writers: Transnationalisms and Diasporas (2010); Trauma, Resistance, Reconciliation in Post-1994 South African Writing (2010); and Negotiating Gender and Sexuality in Contemporary Turkey (2016).

• Introduction 1. Cultural Syncretism vs. Collective Psychic Fragmentation: The Construction of Sikh Gendered Identity 2. Mughal India and Colonialism: Revising History, Gender Identity and Violence in Bhai Veer Singh’s Sundri 3. Communal and Gender Violence in Shauna Singh Baldwin’s What the Body Remembers 4. Gendered Violence and Partition Memory in Postcolonial Novels and Films 5. Partition Narratives and Sikh Gendered Identity Construction: Memory of Violence in Khushwant Singh’s 1956 Novel Train to Pakistan 6. Gender and Memories of Trauma in Amrita Pritam’s 1950 Novella Pinjar and Poems 7. Violence, State Terror, and Gendered Sikh Identity: The Aftermath of Operation Blue Star in Gulzar’s 1996 Hindi film, Maachis (Matches) and Anurag Singh’s 2013 Punjabi Film, Punjab 1984 8. Traumatized Sikh Male and Female Subjects: Representations of Trauma and Memory in Amitoj Mann’s 2003 Punjabi Film Hawayein 9. (En)Gendering Nations in Manoj Punj’s 2004 Punjabi Film, Des Hoyaa Prades: When One’s Nation Becomes a Foreign Territory 10. Perpetrator Nation and the Cultural Memorialization of Sikh Trauma in Shonali Bose’s Novel, Amu (2004) 11. Once Again, the Turban: Terror and Gendered Sikh Identity in Liam Delzell’s Punjabi Cab, Satdeep Singh’s Taaj, and Sarab Singh Neelam’s Ocean of Pearls 12. Gendering the Sikh Diaspora and Transnational Feminism: The Construction of Sexuality in the Poems of Sukhjeet Kaur Khalsa (2016), Sharapal Ruprai (2014) and Rupi Kaur (2015 and 2017). Bibliography

‘It is rare to encounter a necessary book. Yet here it is. This book goes to the heart of a provocative thesis: the role of violence in the formation of Sikh identity and its impact, through historical, social and political forces, on Sikhs. A study of profound moments of misunderstandings and lost opportunities, this powerful work is a tour de force exemplar of how to examine communities marked by colonization, fear, elision, invisibility, and mystery without falling into the trap of reductionism. Nuances of class, gender, race, sex, and sexuality are brought to the fore, with many once-silenced Sikh women’s voices coming forth, and so, too, the complex dynamics of the internal diversity of Sikhs and the wider worlds in which they live. The result is a portrait of postcolonial challenges reaching beyond the focus community to worldwide challenges of our epoch. A must-read not only for those interested in Sikh and postcolonial studies but also anyone interested in understanding engendered violence in multidimensional ways. Read this book. Re-read it. Learn from it, and share its fecund ideas.’ Lewis R. Gordon, Honorary President of the Global Center for Advanced Studies‘This book provides an eloquent self-awareness and a rare glimpse into the complexities of Sikh identity. It is a remarkable addition to the oeuvre of a respected and leading postcolonial scholar. Singh highlights the predicament of Sikh women within the Indian and global Sikh community concomitant with the violence that Sikhs, particularly the turbaned and bearded males, encounter as represented in historical and contemporary literature and culture. The book analyzes representations of male Sikhs, often feminized and othered as hypermasculine, who struggle to construct a positive identity for themselves and their community in India and the diaspora, while female Sikhs, rendered invisible or voiceless, strive to negotiate empowering identities for themselves in liminal cultural and narrative spaces. Singh’s intersectional critique is courageous and innovative as she excavates personal and historical occurrences of trauma to revise, resist and renegotiate memories for empowering personal and communal identities for Sikhs. The book’s emotional and impassioned power once again demonstrates Singh’s extraordinary scholarly gifts.’Rajendra Chetty, Professor, University of the Western Cape, South Africa

Jaspal Kaur Singh is Professor of English Literature at Northern Michigan University, Marquette, Michigan, USA. She received her PhD in Comparative Literature from the University of Oregon. She was a Rockefeller Foundation Fellow at the Institute for the Study of Gender in Africa, James S. Coleman African Studies Center, UCLA and a Fulbright Nehru Senior Scholar in India. Her publications include a monograph, a coauthored book, and three coedited books: Representation and Resistance: South Asian and African Women Writers at Home and in the Diaspora (2008); Narrating the New Nation: South African Indian Writing (2018); Indian Writers: Transnationalisms and Diasporas (2010); Trauma, Resistance, Reconciliation in Post-1994 South African Writing (2010); and Negotiating Gender and Sexuality in Contemporary Turkey (2016).

• Introduction 1. Cultural Syncretism vs. Collective Psychic Fragmentation: The Construction of Sikh Gendered Identity 2. Mughal India and Colonialism: Revising History, Gender Identity and Violence in Bhai Veer Singh’s Sundri 3. Communal and Gender Violence in Shauna Singh Baldwin’s What the Body Remembers 4. Gendered Violence and Partition Memory in Postcolonial Novels and Films 5. Partition Narratives and Sikh Gendered Identity Construction: Memory of Violence in Khushwant Singh’s 1956 Novel Train to Pakistan 6. Gender and Memories of Trauma in Amrita Pritam’s 1950 Novella Pinjar and Poems 7. Violence, State Terror, and Gendered Sikh Identity: The Aftermath of Operation Blue Star in Gulzar’s 1996 Hindi film, Maachis (Matches) and Anurag Singh’s 2013 Punjabi Film, Punjab 1984 8. Traumatized Sikh Male and Female Subjects: Representations of Trauma and Memory in Amitoj Mann’s 2003 Punjabi Film Hawayein 9. (En)Gendering Nations in Manoj Punj’s 2004 Punjabi Film, Des Hoyaa Prades: When One’s Nation Becomes a Foreign Territory 10. Perpetrator Nation and the Cultural Memorialization of Sikh Trauma in Shonali Bose’s Novel, Amu (2004) 11. Once Again, the Turban: Terror and Gendered Sikh Identity in Liam Delzell’s Punjabi Cab, Satdeep Singh’s Taaj, and Sarab Singh Neelam’s Ocean of Pearls 12. Gendering the Sikh Diaspora and Transnational Feminism: The Construction of Sexuality in the Poems of Sukhjeet Kaur Khalsa (2016), Sharapal Ruprai (2014) and Rupi Kaur (2015 and 2017). Bibliography

‘It is rare to encounter a necessary book. Yet here it is. This book goes to the heart of a provocative thesis: the role of violence in the formation of Sikh identity and its impact, through historical, social and political forces, on Sikhs. A study of profound moments of misunderstandings and lost opportunities, this powerful work is a tour de force exemplar of how to examine communities marked by colonization, fear, elision, invisibility, and mystery without falling into the trap of reductionism. Nuances of class, gender, race, sex, and sexuality are brought to the fore, with many once-silenced Sikh women’s voices coming forth, and so, too, the complex dynamics of the internal diversity of Sikhs and the wider worlds in which they live. The result is a portrait of postcolonial challenges reaching beyond the focus community to worldwide challenges of our epoch. A must-read not only for those interested in Sikh and postcolonial studies but also anyone interested in understanding engendered violence in multidimensional ways. Read this book. Re-read it. Learn from it, and share its fecund ideas.’ Lewis R. Gordon, Honorary President of the Global Center for Advanced Studies‘This book provides an eloquent self-awareness and a rare glimpse into the complexities of Sikh identity. It is a remarkable addition to the oeuvre of a respected and leading postcolonial scholar. Singh highlights the predicament of Sikh women within the Indian and global Sikh community concomitant with the violence that Sikhs, particularly the turbaned and bearded males, encounter as represented in historical and contemporary literature and culture. The book analyzes representations of male Sikhs, often feminized and othered as hypermasculine, who struggle to construct a positive identity for themselves and their community in India and the diaspora, while female Sikhs, rendered invisible or voiceless, strive to negotiate empowering identities for themselves in liminal cultural and narrative spaces. Singh’s intersectional critique is courageous and innovative as she excavates personal and historical occurrences of trauma to revise, resist and renegotiate memories for empowering personal and communal identities for Sikhs. The book’s emotional and impassioned power once again demonstrates Singh’s extraordinary scholarly gifts.’Rajendra Chetty, Professor, University of the Western Cape, South Africa