The Editors: Cathy Mullen’s teaching and research has focused on curriculum development and teaching in photography, light-based media, and digital arts. Mullen is Professor Emerita of Art Education in the Faculty of Fine Arts at Concordia University in Montreal, Quebec, where she taught undergraduate and graduate courses for art educators and supervised numerous M.A. and Ph.D. thesis students researching new media art and education.Janice Rahn is interdisciplinary in her research and teaching, focusing on the poetics and politics of popular culture. She is author of the book Painting Without Permission: An Ethnographic Study of Hip Hop Graffiti Culture (2001), as well as articles on media and the social construction of identity and on video as a research tool and art material. Rahn has exhibited her audio/video art installations throughout Canada. She is Associate Professor of Art and Education at the University of Lethbridge.

• Contents: Cathy Mullen/Janice Rahn: Introduction – Cathy Mullen: Teaching Artistic «Know-How» in a Light-Based Media Course – Janice Rahn: Video Sketchbook: Curriculum Theory, Assignments and Resources – Karin Goble: Problem Solving: The Schooling of Software Skills – Richard Lachapelle: Fading in: Strategies for Teaching Video Editing – Yves Amyot: The Techno-Walker – Joanna Black: Intermixing Image and Text in New Media: A Dual Focus – Robert Dalton: Constructing Identities: Self-Portraits in Photography – Michael J. Emme/Anna Kirova: Body/Image/Text: Fotonovela, Digital Technology and Poly-Media Narratives – Moniques Richard: Body and Technological Fictions: For a Renewed Art Pedagogy through New Media – Michael Emme/Don Bergland: Unfinished: Internet Aesthetics, Interactive Digital Environments and Your Art Classroom – Janice Rahn: New Media Taught as Art Material: Tableau as Inquiry.

The Editors: Cathy Mullen’s teaching and research has focused on curriculum development and teaching in photography, light-based media, and digital arts. Mullen is Professor Emerita of Art Education in the Faculty of Fine Arts at Concordia University in Montreal, Quebec, where she taught undergraduate and graduate courses for art educators and supervised numerous M.A. and Ph.D. thesis students researching new media art and education.Janice Rahn is interdisciplinary in her research and teaching, focusing on the poetics and politics of popular culture. She is author of the book Painting Without Permission: An Ethnographic Study of Hip Hop Graffiti Culture (2001), as well as articles on media and the social construction of identity and on video as a research tool and art material. Rahn has exhibited her audio/video art installations throughout Canada. She is Associate Professor of Art and Education at the University of Lethbridge.

• Contents: Cathy Mullen/Janice Rahn: Introduction – Cathy Mullen: Teaching Artistic «Know-How» in a Light-Based Media Course – Janice Rahn: Video Sketchbook: Curriculum Theory, Assignments and Resources – Karin Goble: Problem Solving: The Schooling of Software Skills – Richard Lachapelle: Fading in: Strategies for Teaching Video Editing – Yves Amyot: The Techno-Walker – Joanna Black: Intermixing Image and Text in New Media: A Dual Focus – Robert Dalton: Constructing Identities: Self-Portraits in Photography – Michael J. Emme/Anna Kirova: Body/Image/Text: Fotonovela, Digital Technology and Poly-Media Narratives – Moniques Richard: Body and Technological Fictions: For a Renewed Art Pedagogy through New Media – Michael Emme/Don Bergland: Unfinished: Internet Aesthetics, Interactive Digital Environments and Your Art Classroom – Janice Rahn: New Media Taught as Art Material: Tableau as Inquiry.

The Editors: Cathy Mullen’s teaching and research has focused on curriculum development and teaching in photography, light-based media, and digital arts. Mullen is Professor Emerita of Art Education in the Faculty of Fine Arts at Concordia University in Montreal, Quebec, where she taught undergraduate and graduate courses for art educators and supervised numerous M.A. and Ph.D. thesis students researching new media art and education.Janice Rahn is interdisciplinary in her research and teaching, focusing on the poetics and politics of popular culture. She is author of the book Painting Without Permission: An Ethnographic Study of Hip Hop Graffiti Culture (2001), as well as articles on media and the social construction of identity and on video as a research tool and art material. Rahn has exhibited her audio/video art installations throughout Canada. She is Associate Professor of Art and Education at the University of Lethbridge.

• Contents: Cathy Mullen/Janice Rahn: Introduction – Cathy Mullen: Teaching Artistic «Know-How» in a Light-Based Media Course – Janice Rahn: Video Sketchbook: Curriculum Theory, Assignments and Resources – Karin Goble: Problem Solving: The Schooling of Software Skills – Richard Lachapelle: Fading in: Strategies for Teaching Video Editing – Yves Amyot: The Techno-Walker – Joanna Black: Intermixing Image and Text in New Media: A Dual Focus – Robert Dalton: Constructing Identities: Self-Portraits in Photography – Michael J. Emme/Anna Kirova: Body/Image/Text: Fotonovela, Digital Technology and Poly-Media Narratives – Moniques Richard: Body and Technological Fictions: For a Renewed Art Pedagogy through New Media – Michael Emme/Don Bergland: Unfinished: Internet Aesthetics, Interactive Digital Environments and Your Art Classroom – Janice Rahn: New Media Taught as Art Material: Tableau as Inquiry.