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Barbara Barrow - Victorian Literature, Queer Longing and the Shore, 1840–1920, Inbunden

Inbunden, Engelska, 2026

Del i serien Nineteenth-Century and Neo-Victorian Cultures

Victorian Literature, Queer Longing and the Shore, 1840–1920

Av Barbara Barrow

1779 kr

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Beskrivning
This book studies how writers, artists and scientists in the nineteenth and early twentieth centuries thought about queerness through encounters at the water’s edge. Authors in this period witnessed dramatic and destructive changes to shorelines, including those caused by industrial pollution, the commercialisation of waterways and the rise of seaside tourism. Through an analysis of literary, cultural and visual texts, the book unearths a strand of ecological desire that merges better stewardship of the waters with an affirmation of sexual and gender diversity. It puts queer and feminist approaches in conversation with coastal studies and the blue humanities, and centres moments of multispecies joy.
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Barbara Barrow is Associate Professor of English at Lund University in Sweden, where she is also a member of the Lund Environmental Humanities Hub. Her research interests include nineteenth-century and neo-Victorian literature, women, gender, and sexuality, and the environmental humanities. She is the author of Science, Language, and Reform in Victorian Poetry: Political Dialects (2019), and of articles on queer marine collecting, queer botany, feminized environmental disaster, and deep time that have appeared in CUSP, Victorian Poetry, Ecocene, Victoriographies, Nineteenth-Century Contexts, and elsewhere.

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In identifying and exploring a literary space she calls the “queer littoral”, Barbara Barrow locates at the Victorian seashore a key moment in the changing human relationship with the ocean. Drawing on recent work in blue humanities, littoral studies, queer theory, and other areas, Barrow combines deft textual analyses with a broad sense of how the queer littoral can help reshape our understanding of Victorian eco-poetics. A compelling re-reading of the episode of the lotus eaters in The Odyssey in ecological as well as queer terms germinates into a powerful lens on Victorian literary culture’s fascination with the beach. This book provides an illuminating extension of current practices in watery criticism. Readers interested in queer theory, blue humanities, and eco-poetics will find much of value here.

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