Del 3 - Cambridge Studies in Twenty-First-Century Literature and Culture

Utopia and the Contemporary British Novel

Inbunden, Engelska, 2019

AvCaroline Edwards

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This book examines the experience of time functions in a specific set of British novels to reveal the persistence of the utopian imagination in the twenty-first century. Through close textual analysis, Edwards develops a new strategy of reading such anticipatory 'fictions of the not yet', including novels by Hari Kunzru, Maggie Gee, David Mitchell, Ali Smith, Jim Crace, Joanna Kavenna, Grace McCleen, Jon McGregor, and Claire Fuller. Read in the context of the philosophical category of non-contemporaneity, these novels reveal a significant new direction in twenty-first-century fiction. Their formal inventiveness and suggestively non-mimetic encounters with otherwise realist narrative representations of contemporary experience open up a realm of utopian possibility that shines through in moments of temporal alterity: glimpses of the future, redeemed strands of past hopes, and alternative social worlds already alive in the present.

Produktinformation

Utgivningsdatum2019-07-11
Mått158 x 235 x 20 mm
Vikt550 g
FormatInbunden
SpråkEngelska
SerieCambridge Studies in Twenty-First-Century Literature and Culture
Antal sidor276
FörlagCambridge University Press
ISBN9781108498708

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Caroline Edwards is Senior Lecturer in Modern and Contemporary Literature at Birkbeck, University of London. Her work on living writers has led to two co-edited books: China Miéville: Critical Essays (2015) and Maggie Gee: Critical Essays (2015). Caroline has published in a number of journals, including Telos, Modern Fiction Studies, Textual Practice, ASAP/Journal, Contemporary Literature, Subjectivity, Times Higher Education and New Statesman. Caroline is a founding member of the British Association for Contemporary Literary Studies (BACLS) and a director of the scholarly publisher Open Library of Humanities.

'Utopia and the Contemporary British Novel is an ambitious, engaging and original book. Edwards shows how the twenty-first century is experiencing a Renaissance of experimentalism that reconsiders time and temporal experience in imaginative fictions. This book will definitely make a mark, reinvigorating the utopian philosophy of Ernst Bloch and providing a persuasive way of reading the evident preoccupation with the temporal and the possibility of recovering political hope in dark times that is evident across so much contemporary writing.' Patricia Waugh, Durham University