Utilitarianism and the Art School in Nineteenth-Century Britain

Inbunden, Engelska, 2012

AvMalcolm Quinn

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The mid-nineteenth century saw the introduction of publicly funded art education as an alternative to the established private institutions. Quinn explores the ways in which members of parliament applied Bentham’s utilitarian philosophy to questions of public taste.

Produktinformation

Utgivningsdatum2012-11-01
Mått156 x 234 x 23 mm
Vikt430 g
FormatInbunden
SpråkEngelska
Antal sidor256
FörlagTaylor & Francis Ltd
ISBN9781848932982

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Introduction; Chapter 1 ‘Reading Reynolds with Bentham’: the Idea of the Art School in Early Nineteenth-Century Britain; Chapter 2 ‘Prejudice Aside’: Jeremy Bentham’s Moral Economy of Taste; Chapter 3 ‘Directing the Art of the Country’: Henry Cole’s Laws Of Public Taste; Chapter 4 The End of the Experiment; Chapter 5 Taste Between Ethics and Aesthetics; Chapter 6 The Return of Adam Smith; epi Epilogue;

'Dr Quinn's book is a well-informed and persuasive study of the links between art and commerce in nineteenth-century Britain. His book is a must-read for all scholars interested in Utilitarian or art issues.' Cercles 'This is a fascinating, original study. It penetrates to the radically democratic core of Bentham's aesthetic ideas.' Journal of Bentham Studies 'Quinn's tight emphasis on the 'art school' and the focus on Jeremy Bentham's writing ... is unprecedented.' Art Monthly