Uplift Cinema

Allyson Nadia Field is Assistant Professor of Cinema and Media Studies at the University of California, Los Angeles.

• Preface ixAcknowledgments xviiIntroduction 11. The Aesthetics of Uplift: The Hampton-Tuskegee Idea and the Possibility of Failure 332. "To Show the Industrial Progress of the Negro Along Industrial Lines": Uplift Cinema Entrepreneurs at Tuskegee Institute, 1909–1913 833. "Pictorial Sermons": The Campaign Films of Hampton Institute, 1913–1915 1214. "A Vicious and Hurtful Play": The Birth of a Nation and The New Era, 1915 1515. To "Encourage and Uplift": Entrepreneurial Uplift Cinema 185Epilogue 245Notes 259Bibliography 299Index 311

"Allyson Nadia Field in Uplift Cinema has immediately established herself as a leading scholar in the study of early black film..... Uplift Cinema is written in a highly accessible style for historians of all stripes. Most importantly, the volume will be seminal not only for scholars of black film but also for those working in African American history and the early Progressive Era." - Gerald R. Butters Jr. (Journal of American History) "Allyson Nadia Field has made a vital scholarly contribution; Uplift Cinema is a rich book with much to offer film historians, scholars of African American history, and those interested in visual media. She has expanded our understanding of the scope and range of African American filmmaking and she makes a convincing argument for the continued importance of the film text as a primary source for film historians, even-as with uplift cinema-when it no longer exists in material form." - Julie Lavelle (Black Camera) "Uplift Cinema is a significant historical interpretation and contribution to the complex, contradictory, multifaceted, and challenging ways nascent African- American film makers and leaders in the late nineteenth and early twentieth century struggled to create positive enduring representative images of black people 'up from slavery.'" - Theodoric Manley (Ethnic and Racial Studies) "Field’s book is, at once, an unprecedented reading of an important set of films and analysis of those works and their effects on filmmakers working in their wake ... and a manifesto and model for doing cinema history when film texts themselves are lost. The detail and depth of Field’s work will make it of most interest to specialists, but her clear writing and organization makes her impressive research accessible to undergraduates and more general readers in film studies, social and cultural history, and American and African American studies." - Arthur Knight (History)