Unforgettable

Women Artists from Antwerp to Amsterdam, 1600-1750

Inbunden, Engelska, 2025

AvVirginia Treanor,Frederica Van Dam,Manfred Sellink,Susan Fisher,Frederica Dam,Frederica Van Dam

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The catalogue spotlights the overlooked contributions of female artists in the 17th-century Low Countries. While renowned male artists like Rembrandt and Vermeer have long dominated art history, female artists such as Clara Peeters and Michaelina Wautier have received limited recognition. This book challenges the notion that women were exceptions in the art world, showcasing works by over 40 artists across diverse media, including painting, sculpture, embroidery, and glass etching. It also highlights the socio-economic contexts that shaped their careers, exploring themes of identity, ambition, social expectations, and artistic networks. By reevaluating the hierarchy between "fine" and "applied" arts, the book underscores the significant role women played in the artistic economy. Through a thematic approach, Unforgettable aims to restore long-overdue recognition to these artists. Featuring works by: Maria Monincx, Johanna Koerten, Anna Maria De Koker, Maria Verelst, Maria De Grebber, Maria Strick, Elisabeth Rijberg, Josina Margareta Weenix, Anna Maria Janssens Cornelia Van Der Mijn e.a.

Produktinformation

Utgivningsdatum2025-09-20
Mått230 x 305 x 31 mm
Vikt1 706 g
FormatInbunden
SpråkEngelska
Antal sidor304
FörlagHannibal Books
ISBN9789493416277

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Konsthistoria inom Kultur
Genusvetenskap inom Samhälle och politik

Dr. Frederica Van Dam is the Curator of Old Masters at MSK Ghent. Specialising in Early Modern Flemish painting, she co-curated Van Eyck – An Optical Revolution and led the first monographic show on Theodoor Rombouts. Dr. Virginia Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington, D.C. She earned her Ph.D. in 17th-century Dutch and Flemish art from the University of Maryland. Since joining NMWA in 2012, Dr. Treanor has curated numerous exhibitions, including multiple installments of the "Women to Watch" series.

I. ForewordII. IntroductionIII. Identitya. Essay: The Presence of the Artist. Self-Development, Self-Improvement, and Self-Representationb. Essay: Gender and Genrec. Essay: The Voice of Maria Faydherbed. Cluster note: Identitye. Cluster note: Tradition & AmbitionIV. Choicesa. Essay: Spiritual Daughters in the Artistic Economy of the Southern Netherlandsb. Essay: Women and the Reality of Lace-makingc. Essay: Women and Religious Lifed. Cluster note: Family Tiese. Cluster note: Social ExpectationsV. Local and Global Networksa. Essay: Women in the Art Tradeb. Essay: Female Clientelec. Essay: Women, Art, and Scienced. Cluster note: Local Networkse. Cluster note: Global NetworksVI. Value & Legacya. Essay: Women in Museum Collectionsb. Essay: Judith Leyster and the Art Marketc. Cluster note: Value and LegacyVII. Checklist of Illustrated/Exhibited WorksVIII. Bibliography:IX. Index with Page ReferencesX. Colophon and Photo Credits