Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

• General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index

Elsie Walker's multifaceted approach in Understanding Sound Tracks Through Film Theory provides a rich, strategic bridging of musicology to the venerable and varied tenets of film theory. Rigorously researched, it is pioneering inquiry, crowned by a bevy of stimulating analyses.

Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

• General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index

Elsie Walker's multifaceted approach in Understanding Sound Tracks Through Film Theory provides a rich, strategic bridging of musicology to the venerable and varied tenets of film theory. Rigorously researched, it is pioneering inquiry, crowned by a bevy of stimulating analyses.

Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

• General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index

Elsie Walker's multifaceted approach in Understanding Sound Tracks Through Film Theory provides a rich, strategic bridging of musicology to the venerable and varied tenets of film theory. Rigorously researched, it is pioneering inquiry, crowned by a bevy of stimulating analyses.