Philip Sicker is Professor of English at Fordham University, New York, and co-editor of Joyce Studies Annual. He has published widely on James Joyce, Henry James, D. H. Lawrence, T. S. Eliot, Thomas Mann, Vladimir Nabokov, narrative theory and film.

• Introduction: Joyce's spectacles: technologies of sight; 1. Ineluctable visuality: Stephen's ways of seeing; 2. 'Caught in this burning scene': Stephen in the gaze of others; 3. Snapshots from the pavement: Bloom as modernist flaneur; 4. Painting motion: 'wandering rocks' as futurist narrative; 5. 'Alone in the hiding twilight': Bloom's cinematic gaze in 'Nausicaa'; 6. Mirages in the lampglow: 'circle' and Melies's dream cinema; 7. Vision conjoined: Stephen and Bloom's intersubjective perception.

'Sicker's book … brings Ulysses alive by examining its particularities and specificities. … His book demonstrates that there is still much fertile and enriching ground to be tilled and planted in our examination of one of the central books of Western literature.' Peter O'Brien, The Fortnightly Review

Philip Sicker is Professor of English at Fordham University, New York, and co-editor of Joyce Studies Annual. He has published widely on James Joyce, Henry James, D. H. Lawrence, T. S. Eliot, Thomas Mann, Vladimir Nabokov, narrative theory and film.

• Introduction: Joyce's spectacles: technologies of sight; 1. Ineluctable visuality: Stephen's ways of seeing; 2. 'Caught in this burning scene': Stephen in the gaze of others; 3. Snapshots from the pavement: Bloom as modernist flaneur; 4. Painting motion: 'wandering rocks' as futurist narrative; 5. 'Alone in the hiding twilight': Bloom's cinematic gaze in 'Nausicaa'; 6. Mirages in the lampglow: 'circle' and Melies's dream cinema; 7. Vision conjoined: Stephen and Bloom's intersubjective perception.

'Sicker's book … brings Ulysses alive by examining its particularities and specificities. … His book demonstrates that there is still much fertile and enriching ground to be tilled and planted in our examination of one of the central books of Western literature.' Peter O'Brien, The Fortnightly Review

Philip Sicker is Professor of English at Fordham University, New York, and co-editor of Joyce Studies Annual. He has published widely on James Joyce, Henry James, D. H. Lawrence, T. S. Eliot, Thomas Mann, Vladimir Nabokov, narrative theory and film.

• Introduction: Joyce's spectacles: technologies of sight; 1. Ineluctable visuality: Stephen's ways of seeing; 2. 'Caught in this burning scene': Stephen in the gaze of others; 3. Snapshots from the pavement: Bloom as modernist flaneur; 4. Painting motion: 'wandering rocks' as futurist narrative; 5. 'Alone in the hiding twilight': Bloom's cinematic gaze in 'Nausicaa'; 6. Mirages in the lampglow: 'circle' and Melies's dream cinema; 7. Vision conjoined: Stephen and Bloom's intersubjective perception.

'Sicker's book … brings Ulysses alive by examining its particularities and specificities. … His book demonstrates that there is still much fertile and enriching ground to be tilled and planted in our examination of one of the central books of Western literature.' Peter O'Brien, The Fortnightly Review