Claire M. L. Bourne is Assistant Professor of English at the Pennsylvania State University. Her research focuses on early modern drama, the history of the book, and theatre history. She has published in journals such as English Literary Renaissance and Papers of the Bibliographical Society of America and has contributed essays about early modern textual production and reception to a number of edited collections. She is editor of Henry the Sixth, Part 1, for The Arden Shakespeare, 4th series, and is general editor of the Digital Beaumont and Fletcher (1647), an open-access student-generated edition of the Beaumont and Fletcher folio.

• Introduction: A Play and No Play 1: Dramatic Pilcrows 2: Jonson's Breaches and the Typography of Action 3: Making a Scene 4: Plot Illustrated 5: Scene Changes Coda: A Prolusion on Dramatic Typography Bibliography

Typographies of Performance in Early Modern England is a model of excellent scholarship: predicated on impressive research, it outlines important arguments in clear and graceful writing.

Claire M. L. Bourne is Assistant Professor of English at the Pennsylvania State University. Her research focuses on early modern drama, the history of the book, and theatre history. She has published in journals such as English Literary Renaissance and Papers of the Bibliographical Society of America and has contributed essays about early modern textual production and reception to a number of edited collections. She is editor of Henry the Sixth, Part 1, for The Arden Shakespeare, 4th series, and is general editor of the Digital Beaumont and Fletcher (1647), an open-access student-generated edition of the Beaumont and Fletcher folio.

• Introduction: A Play and No Play 1: Dramatic Pilcrows 2: Jonson's Breaches and the Typography of Action 3: Making a Scene 4: Plot Illustrated 5: Scene Changes Coda: A Prolusion on Dramatic Typography Bibliography

Typographies of Performance in Early Modern England is a model of excellent scholarship: predicated on impressive research, it outlines important arguments in clear and graceful writing.

Claire M. L. Bourne is Assistant Professor of English at the Pennsylvania State University. Her research focuses on early modern drama, the history of the book, and theatre history. She has published in journals such as English Literary Renaissance and Papers of the Bibliographical Society of America and has contributed essays about early modern textual production and reception to a number of edited collections. She is editor of Henry the Sixth, Part 1, for The Arden Shakespeare, 4th series, and is general editor of the Digital Beaumont and Fletcher (1647), an open-access student-generated edition of the Beaumont and Fletcher folio.

• Introduction: A Play and No Play 1: Dramatic Pilcrows 2: Jonson's Breaches and the Typography of Action 3: Making a Scene 4: Plot Illustrated 5: Scene Changes Coda: A Prolusion on Dramatic Typography Bibliography

Typographies of Performance in Early Modern England is a model of excellent scholarship: predicated on impressive research, it outlines important arguments in clear and graceful writing.