Tyler Perry's America

Inside His Films

Häftad, Engelska, 2017

579 kr

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Tyler Perry is the most successful African-American filmmaker of his generation, garnering both accolades and controversies with each new film. In Tyler Perry’s America, Shayne Lee digs into eleven of Perry’s highest-grossing films to explore key themes of race, gender, class, and religion, and, ultimately, to discuss what Perry’s films reveal about contemporary African-American life.Filled with slapstick humor, musical wizardry, and religious imagery, Tyler Perry’s films have inspired legions of fans, and yet critics often dismiss them or demean their audience. Tyler Perry’s America takes the films seriously in their own right. After providing essential background information on Perry’s life and film career, the book looks at what the films reveal about post–civil rights America and why they inspire so many people. The book examines the way the films explore social class in America—featuring characters from super-rich Wesley Deeds to homeless Lindsey Wakefield—and the way Perry both celebrates upward mobility and critiques soulless wealth. The book discusses the way religion fills the films—from gospel music to biblical quotes, the power of sexuality, and more. Lee also devotes a chapter to Madea, one of Perry’s most controversial and complicated characters.Tyler Perry’s America is a thought-provoking examination of this powerhouse filmmaker which highlights the way Perry’s films appeal to viewers by connecting a rich African-American folk-cultural past with the promise of modern sophistication.

Produktinformation

Utgivningsdatum2017-12-28
Mått151 x 219 x 16 mm
Vikt295 g
FormatHäftad
SpråkEngelska
Antal sidor208
FörlagBloomsbury Publishing Plc
ISBN9780810896222

Tillhör följande kategorier

Film inom Kultur
Genusvetenskap inom Samhälle och politik
Etnicitet inom Samhälle och politik

Lee is a sociologist, and his approach to the sociology—or is it economics?—in Tyler Perry's films is 100 percent admirable: he writes that he 'watched each movie no less than ten times, carefully coding and cataloguing themes, plots, and character development regarding their relation to pertinent socio-cultural themes.' This is the first book-length study of Perry, and Lee is brilliant at perceiving clearly, not sentimentally, the role of religion. . . .The author never perceives movies as movies; he could be talking about novels. He deals with the meaning of ten films, looking at 'the dream and the nightmare' of blacks. Dreams are strength, education, devotion, love, freedom, blessings. Nightmares are poverty, hunger, drugs, white domination, suffering, inequality, prison, hatred, injustice, rape, and best of all, madness (especially in the Madea films). The book is lovingly informative, and Lee knows the context of the films (be it reality, novels, or other films). Written in clear prose, this is a surprisingly important book, especially for those interested in the sociology of film. Summing Up: Highly recommended. All readers.