Tropical Renditions

Making Musical Scenes in Filipino America

Inbunden, Engelska, 2016

Av Christine Bacareza Balance

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In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places.

Produktinformation

Utgivningsdatum2016-04-22
Mått152 x 229 x 18 mm
Vikt476 g
FormatInbunden
SpråkEngelska
SerieRefiguring American Music
Antal sidor256
FörlagDuke University Press
ISBN9780822359586

Tillhör följande kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Musikvetenskap inom Kultur
Etnicitet inom Samhalle och politik
Migration inom Samhalle och politik

"Balance’s book is a major contribution to a flowering of contemporary scholarship on the Filipino diaspora and musical performance. . . . From DJing and karaoke to performance art and indie Pinoise rock, Balance’s book draws out the rich implications of such musical scenes, and in doing so, shows how Filipino America has been made, and made uniquely meaningful, through music." - Victor Bascara (Pacific Affairs) "With her careful survey of ethnographic texts and implicit use of ethnographic research techniques, Balance sets a new standard for accounts of popular music culture in performance studies." - Neal Matherne (Ethnomusicology) "Tropical Renditions offers a script from which to begin rehearsing a multiscalar phonography of place, race, and music that is . . . relentlessly and productively disobedient." - Anjeline de Dios (Southeast Asian Studies) "A gift to the fields of Asian studies, sound studies, and cultural studies, speaking between and across each in order to posit a theory of sound that is attuned to the affective and sociopolitical contours of the Filipinx diasporic experience. . . . Seminal in its theorizing of the social conditions that dictate how the Filipinx performing body is consumed." - Casey Mecija (Journal of the Society for American Music)