Tristan and Isolde

Joan Tasker Grimbert is Professor of French at Catholic University and author of many articles on medieval French literature and Arthurian romance.

• Preface, Norris J. Lacy Introduction, Joan Tasker Grimbert Acknowledgements Select Bibliography Tristan: The Celtic and Oriental Material Re-examined, W.J. McCann Love and the New Patriarchy: Tristan and Isolde, Leslie W. Rabine How Lovers Lie Together: Infidelity and Fictive Discourse in the Roman de Tristan, E. Jane Burns The Representation of the Lover's Death: Thomas' Tristan as Open Text, Matilda Tomaryn Bruckner The Glass Palace in the Folie d'Oxford, Jean-Charles Payen Tristan the Artist in Gottfried's Poem, W.T.H. Jackson Gottfried von Strassburg: Tristan and the Arthurian Tradition. William C. McDonald La Parole amoureuse:Amorous Discourse in the Prose Tristan, Emmanuéle Baumgartner Radix Amoris: The Travola Ritonda and Its Response to Dante's Paolo and Francesca, Donald L. Hoffman Malory's Tale of Sir Tristram: Source and Setting Reconsidered, Dhira B. Mahoney Tristan in Medieval Art, Julia Walworth Swinburne's Tristram ofLyonesse: Visionary and Courtly Epic, Anthony H. Harrison That Most Beautiful of Dreams: Tristram and Isoud in British Art of the Nineteenth and Twentieth Centuries, Christine Poulson Wagner's Tristan and Isolde: Opera as Symphonic Poem, Joseph Kerman Wagner and Decadence, Raymond Furness This Too You Ought to Read: Bédier's Roman de Tristan et Iseut, Edward J. Gallagher Tristram the Transcendent, Frederic Yves Carpenter Cocteau's Tristan and Iseut: A Case of Overmuch Respect, Stephen Maddux Tristan and Isolde in Modern Literature: L'éternal retour, Michael S. Batts