Helen Barr is Professor of English Literature at Lady Margaret Hall, University of Oxford

• Introduction: Transporting Chaucer1 The figure in the Canterbury stained glass: Chaucerian Beckets2 Crossing borders: Northumberland bodies unbound3 Chaucer’s hands4 ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream5 Bones and bays: on with The Knight’s Tale6 Reverberate Troy: Sounding The House of Fame in Troilus and Cressida7 Da capoIndex

'This dazzlingly original study gives us a new Chaucer, or I should say "new Chaucers": a multiplicity of Chaucers within and around and subsequent to his text. Helen Barr populates her book with Chaucer stand-ins, doubles, images, lurkers and avatars – all testifying to the inexhaustible suggestiveness of the original text and its unending cultural resonance. This is a bold book, a true departure, teeming with new leads and prompts and suggestions. It is essential reading, the best on its subject to appear in a long, long time.Paul Strohm, Anna S. Garbedian Professor Emeritus of the Humanities, Columbia University'Transporting Chaucer is a quirky book, even admittedly so. It opens with a consideration of a suspended modern sculpture in Canterbury Cathedral that poses questions of place, memory and embodiment that the author wishes to raise more generally – as well as a sense of surprise and accidental discovery, governed by the intrusion of the past into the present (and vice versa) that animates the project(s).'Elizabeth Scala, The Review of English Studies, 18 June 2015

Helen Barr is Professor of English Literature at Lady Margaret Hall, University of Oxford

• Introduction: Transporting Chaucer1 The figure in the Canterbury stained glass: Chaucerian Beckets2 Crossing borders: Northumberland bodies unbound3 Chaucer’s hands4 ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream5 Bones and bays: on with The Knight’s Tale6 Reverberate Troy: Sounding The House of Fame in Troilus and Cressida7 Da capoIndex

'This dazzlingly original study gives us a new Chaucer, or I should say "new Chaucers": a multiplicity of Chaucers within and around and subsequent to his text. Helen Barr populates her book with Chaucer stand-ins, doubles, images, lurkers and avatars – all testifying to the inexhaustible suggestiveness of the original text and its unending cultural resonance. This is a bold book, a true departure, teeming with new leads and prompts and suggestions. It is essential reading, the best on its subject to appear in a long, long time.Paul Strohm, Anna S. Garbedian Professor Emeritus of the Humanities, Columbia University'Transporting Chaucer is a quirky book, even admittedly so. It opens with a consideration of a suspended modern sculpture in Canterbury Cathedral that poses questions of place, memory and embodiment that the author wishes to raise more generally – as well as a sense of surprise and accidental discovery, governed by the intrusion of the past into the present (and vice versa) that animates the project(s).'Elizabeth Scala, The Review of English Studies, 18 June 2015

Helen Barr is Professor of English Literature at Lady Margaret Hall, University of Oxford

• Introduction: Transporting Chaucer1 The figure in the Canterbury stained glass: Chaucerian Beckets2 Crossing borders: Northumberland bodies unbound3 Chaucer’s hands4 ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream5 Bones and bays: on with The Knight’s Tale6 Reverberate Troy: Sounding The House of Fame in Troilus and Cressida7 Da capoIndex

'This dazzlingly original study gives us a new Chaucer, or I should say "new Chaucers": a multiplicity of Chaucers within and around and subsequent to his text. Helen Barr populates her book with Chaucer stand-ins, doubles, images, lurkers and avatars – all testifying to the inexhaustible suggestiveness of the original text and its unending cultural resonance. This is a bold book, a true departure, teeming with new leads and prompts and suggestions. It is essential reading, the best on its subject to appear in a long, long time.Paul Strohm, Anna S. Garbedian Professor Emeritus of the Humanities, Columbia University'Transporting Chaucer is a quirky book, even admittedly so. It opens with a consideration of a suspended modern sculpture in Canterbury Cathedral that poses questions of place, memory and embodiment that the author wishes to raise more generally – as well as a sense of surprise and accidental discovery, governed by the intrusion of the past into the present (and vice versa) that animates the project(s).'Elizabeth Scala, The Review of English Studies, 18 June 2015