Hilary Owen is a Professor Emerita in Portuguese and Luso-African Studies at the University of Manchester and a Research Fellow in the Sub-Faculty of Portuguese Studies at the University of Oxford. Claire Williams is an Associate Professor of Brazilian Literature and Culture at the University of Oxford and a Fellow of St Peter’s College.

• Illustrations and TablesAcknowledgementsContributorsIntroductionHilary Owen and Claire Williams: Transnationalising Portuguese StudiesPart I: SPATIALITYChapter 1Zoltán Biedermann: Global Navigations and the Challenge of World-Making: Introducing the Study of Spatiality in the Portuguese EmpireChapter 2Anna M. Klobucka: Translational Travails of LusotropicalismChapter 3Vivien Kogut Lessa de Sá and Sheila Moura Hue: English Pirates in Brazil: Early Anglo-Portuguese Relations in the New WorldChapter 4Fernando Arenas: Soundtracks of the Lusophone and Creolophone Spheres: ‘Tanto’ by Aline Frazão (Angola), ‘Kreol’ by Mário Lúcio (Cabo Verde) and ‘N na nega bedju’ by José Carlos Schwarz (Guinea-Bissau)Chapter 5Maria Luísa Coelho: Transnational, Palimpsestic Journeys in the Art of Bartolomeu Cid dos SantosChapter 6Hilary Owen: ‘Becoming Portuguese’: New Europes for Old in Miguel Gomes’s Arabian NightsPart II: LANGUAGEChapter 7Toby Green and José Lingna Nafafé: Lusotopian or Lusophone Atlantics? The Relevance of Transnational African Diasporas to the Question of Language and CultureChapter 8Susana Afonso: Portuguese as a Transnational LanguageChapter 9Simon Park: Beyond Comprehension: Language, Identity and the Transnational in Gil Vicente’s TheatreChapter 10Sara Ramos Pinto: Dialects in Translation: Traveling in Space and Time in the Portuguese-Speaking World with Pygmalion and My Fair LadyChapter 11Tori Holmes: The Duality and Ambiguity of Mega-events in Rio de Janeiro: Local and Transnational Dimensions of Urban Transformations in the Webdocumentary Domínio PúblicoPart III: TEMPORALITYChapter 12Ellen W. Sapega: ‘Mining Memory's Archive: Two Portuguese Documentaries about the Second World War’Chapter 13Edward King: Disjunctive Temporalities of Migration in Photobooks from BrazilChapter 14Tatiana Heise: The National and the Transnational in Brazilian Postdictatorship CinemaChapter 15Ana Margarida Dias Martins: Remembering New Portuguese Letters Transnationally: Memory, Emotion, MobilityPart IV: SUBJECTIVITYChapter 16Cláudia Pazos Alonso: ‘Publish and be Damned’: Memórias da Minha Vida and the Politics of Exclusion in Nineteenth-century PortugalChapter 17Paulo de Medeiros: Transnational PessoaChapter 18Kimberly DaCosta Holton: Sound Travel: Fadocore in CaliforniaChapter 19Christopher Larkosh: ‘Can’t We All Just Be Queer?’ On Imagining Shared Translational SpaceChapter 20Claire Williams: International Departures and Transnational Texts in Contemporary Brazilian Literature: the ‘Amores Expressos’ SeriesIndex

“Hilary Owen and Claire Williams’ volume is a superb contribution to the field of Portuguese Studies (a problematic signifier, as the editors point out in the introduction) at a time when the sometimes contentious intersections between the transnational and the global have caught the attention of scholars, students, and the reading public.”Peggy Sharpe, Florida State University

Hilary Owen is a Professor Emerita in Portuguese and Luso-African Studies at the University of Manchester and a Research Fellow in the Sub-Faculty of Portuguese Studies at the University of Oxford. Claire Williams is an Associate Professor of Brazilian Literature and Culture at the University of Oxford and a Fellow of St Peter’s College.

• Illustrations and TablesAcknowledgementsContributorsIntroductionHilary Owen and Claire Williams: Transnationalising Portuguese StudiesPart I: SPATIALITYChapter 1Zoltán Biedermann: Global Navigations and the Challenge of World-Making: Introducing the Study of Spatiality in the Portuguese EmpireChapter 2Anna M. Klobucka: Translational Travails of LusotropicalismChapter 3Vivien Kogut Lessa de Sá and Sheila Moura Hue: English Pirates in Brazil: Early Anglo-Portuguese Relations in the New WorldChapter 4Fernando Arenas: Soundtracks of the Lusophone and Creolophone Spheres: ‘Tanto’ by Aline Frazão (Angola), ‘Kreol’ by Mário Lúcio (Cabo Verde) and ‘N na nega bedju’ by José Carlos Schwarz (Guinea-Bissau)Chapter 5Maria Luísa Coelho: Transnational, Palimpsestic Journeys in the Art of Bartolomeu Cid dos SantosChapter 6Hilary Owen: ‘Becoming Portuguese’: New Europes for Old in Miguel Gomes’s Arabian NightsPart II: LANGUAGEChapter 7Toby Green and José Lingna Nafafé: Lusotopian or Lusophone Atlantics? The Relevance of Transnational African Diasporas to the Question of Language and CultureChapter 8Susana Afonso: Portuguese as a Transnational LanguageChapter 9Simon Park: Beyond Comprehension: Language, Identity and the Transnational in Gil Vicente’s TheatreChapter 10Sara Ramos Pinto: Dialects in Translation: Traveling in Space and Time in the Portuguese-Speaking World with Pygmalion and My Fair LadyChapter 11Tori Holmes: The Duality and Ambiguity of Mega-events in Rio de Janeiro: Local and Transnational Dimensions of Urban Transformations in the Webdocumentary Domínio PúblicoPart III: TEMPORALITYChapter 12Ellen W. Sapega: ‘Mining Memory's Archive: Two Portuguese Documentaries about the Second World War’Chapter 13Edward King: Disjunctive Temporalities of Migration in Photobooks from BrazilChapter 14Tatiana Heise: The National and the Transnational in Brazilian Postdictatorship CinemaChapter 15Ana Margarida Dias Martins: Remembering New Portuguese Letters Transnationally: Memory, Emotion, MobilityPart IV: SUBJECTIVITYChapter 16Cláudia Pazos Alonso: ‘Publish and be Damned’: Memórias da Minha Vida and the Politics of Exclusion in Nineteenth-century PortugalChapter 17Paulo de Medeiros: Transnational PessoaChapter 18Kimberly DaCosta Holton: Sound Travel: Fadocore in CaliforniaChapter 19Christopher Larkosh: ‘Can’t We All Just Be Queer?’ On Imagining Shared Translational SpaceChapter 20Claire Williams: International Departures and Transnational Texts in Contemporary Brazilian Literature: the ‘Amores Expressos’ SeriesIndex

“Hilary Owen and Claire Williams’ volume is a superb contribution to the field of Portuguese Studies (a problematic signifier, as the editors point out in the introduction) at a time when the sometimes contentious intersections between the transnational and the global have caught the attention of scholars, students, and the reading public.”Peggy Sharpe, Florida State University

Hilary Owen is a Professor Emerita in Portuguese and Luso-African Studies at the University of Manchester and a Research Fellow in the Sub-Faculty of Portuguese Studies at the University of Oxford. Claire Williams is an Associate Professor of Brazilian Literature and Culture at the University of Oxford and a Fellow of St Peter’s College.

• Illustrations and TablesAcknowledgementsContributorsIntroductionHilary Owen and Claire Williams: Transnationalising Portuguese StudiesPart I: SPATIALITYChapter 1Zoltán Biedermann: Global Navigations and the Challenge of World-Making: Introducing the Study of Spatiality in the Portuguese EmpireChapter 2Anna M. Klobucka: Translational Travails of LusotropicalismChapter 3Vivien Kogut Lessa de Sá and Sheila Moura Hue: English Pirates in Brazil: Early Anglo-Portuguese Relations in the New WorldChapter 4Fernando Arenas: Soundtracks of the Lusophone and Creolophone Spheres: ‘Tanto’ by Aline Frazão (Angola), ‘Kreol’ by Mário Lúcio (Cabo Verde) and ‘N na nega bedju’ by José Carlos Schwarz (Guinea-Bissau)Chapter 5Maria Luísa Coelho: Transnational, Palimpsestic Journeys in the Art of Bartolomeu Cid dos SantosChapter 6Hilary Owen: ‘Becoming Portuguese’: New Europes for Old in Miguel Gomes’s Arabian NightsPart II: LANGUAGEChapter 7Toby Green and José Lingna Nafafé: Lusotopian or Lusophone Atlantics? The Relevance of Transnational African Diasporas to the Question of Language and CultureChapter 8Susana Afonso: Portuguese as a Transnational LanguageChapter 9Simon Park: Beyond Comprehension: Language, Identity and the Transnational in Gil Vicente’s TheatreChapter 10Sara Ramos Pinto: Dialects in Translation: Traveling in Space and Time in the Portuguese-Speaking World with Pygmalion and My Fair LadyChapter 11Tori Holmes: The Duality and Ambiguity of Mega-events in Rio de Janeiro: Local and Transnational Dimensions of Urban Transformations in the Webdocumentary Domínio PúblicoPart III: TEMPORALITYChapter 12Ellen W. Sapega: ‘Mining Memory's Archive: Two Portuguese Documentaries about the Second World War’Chapter 13Edward King: Disjunctive Temporalities of Migration in Photobooks from BrazilChapter 14Tatiana Heise: The National and the Transnational in Brazilian Postdictatorship CinemaChapter 15Ana Margarida Dias Martins: Remembering New Portuguese Letters Transnationally: Memory, Emotion, MobilityPart IV: SUBJECTIVITYChapter 16Cláudia Pazos Alonso: ‘Publish and be Damned’: Memórias da Minha Vida and the Politics of Exclusion in Nineteenth-century PortugalChapter 17Paulo de Medeiros: Transnational PessoaChapter 18Kimberly DaCosta Holton: Sound Travel: Fadocore in CaliforniaChapter 19Christopher Larkosh: ‘Can’t We All Just Be Queer?’ On Imagining Shared Translational SpaceChapter 20Claire Williams: International Departures and Transnational Texts in Contemporary Brazilian Literature: the ‘Amores Expressos’ SeriesIndex

“Hilary Owen and Claire Williams’ volume is a superb contribution to the field of Portuguese Studies (a problematic signifier, as the editors point out in the introduction) at a time when the sometimes contentious intersections between the transnational and the global have caught the attention of scholars, students, and the reading public.”Peggy Sharpe, Florida State University