Jen Kennedy is an Assistant Professor in the Department of Art History and Art Conservation at Queen's University. Trista E. Mallory is a mother and Independent Scholar. Angelique Szymanek is an Assistant Professor in the Department of Art and Architecture at Hobart and William Smith Colleges.

• Introduction: Locating and Dislocating Feminisms (Jen Kennedy, Trista E. Mallory, and Angelique Szymanek); Part 1: Constructing; 1. Reviewing a 1960s Mi’kmaq Ribbon Skirt: Reclamation, Resilience, Resistance (Lisa Binkley); 2. Winding Up to Be Unfurled: Art History as Casa Espiral (Sarah Lookofsky); 3. Insubordinate Bodies: Staging Protest and Torture in Regina Vater’s 1973 Nós Performance (Emily Citino); 4. Nil Yalter’s Topak Ev: The Nomadic Tent Between "Worlds" (Ceren Ozpinar); Part 2: Mediating; 5. Creation Stories: Australian Arts Feminism (Jacqueline Millner and Catorina Moore); 6. Tseng Kwong Chi: 1979 and the Liminal Trans of Racial and Sexual Politics (Jane Chin Davidson); 7. Shades of Discrimination: The Emergence of Feminism in Apartheid South Africa (Brenda Schmahmann); Part 3: Performing; 8. Against the Body: Interpreting Ana Mendieta (Julia Bryan-Wilson); 9. Jung Kang-Ja: A Pioneer of Korean Experimental Art of the 1960s and 1970s (Phil Lee); 10. "Really African, and Really Kabuki Too": Afro-Asian Possibility in the Work of Senga Nengudi (Ellen Y. Tani); 11. Kirsten Justesen: The Body as a Feminist and Artistic Tool (Tania Ørum)

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Jen Kennedy is an Assistant Professor in the Department of Art History and Art Conservation at Queen's University. Trista E. Mallory is a mother and Independent Scholar. Angelique Szymanek is an Assistant Professor in the Department of Art and Architecture at Hobart and William Smith Colleges.

• Introduction: Locating and Dislocating Feminisms (Jen Kennedy, Trista E. Mallory, and Angelique Szymanek); Part 1: Constructing; 1. Reviewing a 1960s Mi’kmaq Ribbon Skirt: Reclamation, Resilience, Resistance (Lisa Binkley); 2. Winding Up to Be Unfurled: Art History as Casa Espiral (Sarah Lookofsky); 3. Insubordinate Bodies: Staging Protest and Torture in Regina Vater’s 1973 Nós Performance (Emily Citino); 4. Nil Yalter’s Topak Ev: The Nomadic Tent Between "Worlds" (Ceren Ozpinar); Part 2: Mediating; 5. Creation Stories: Australian Arts Feminism (Jacqueline Millner and Catorina Moore); 6. Tseng Kwong Chi: 1979 and the Liminal Trans of Racial and Sexual Politics (Jane Chin Davidson); 7. Shades of Discrimination: The Emergence of Feminism in Apartheid South Africa (Brenda Schmahmann); Part 3: Performing; 8. Against the Body: Interpreting Ana Mendieta (Julia Bryan-Wilson); 9. Jung Kang-Ja: A Pioneer of Korean Experimental Art of the 1960s and 1970s (Phil Lee); 10. "Really African, and Really Kabuki Too": Afro-Asian Possibility in the Work of Senga Nengudi (Ellen Y. Tani); 11. Kirsten Justesen: The Body as a Feminist and Artistic Tool (Tania Ørum)

Select Guide Rating

Jen Kennedy is an Assistant Professor in the Department of Art History and Art Conservation at Queen's University. Trista E. Mallory is a mother and Independent Scholar. Angelique Szymanek is an Assistant Professor in the Department of Art and Architecture at Hobart and William Smith Colleges.

• Introduction: Locating and Dislocating Feminisms (Jen Kennedy, Trista E. Mallory, and Angelique Szymanek); Part 1: Constructing; 1. Reviewing a 1960s Mi’kmaq Ribbon Skirt: Reclamation, Resilience, Resistance (Lisa Binkley); 2. Winding Up to Be Unfurled: Art History as Casa Espiral (Sarah Lookofsky); 3. Insubordinate Bodies: Staging Protest and Torture in Regina Vater’s 1973 Nós Performance (Emily Citino); 4. Nil Yalter’s Topak Ev: The Nomadic Tent Between "Worlds" (Ceren Ozpinar); Part 2: Mediating; 5. Creation Stories: Australian Arts Feminism (Jacqueline Millner and Catorina Moore); 6. Tseng Kwong Chi: 1979 and the Liminal Trans of Racial and Sexual Politics (Jane Chin Davidson); 7. Shades of Discrimination: The Emergence of Feminism in Apartheid South Africa (Brenda Schmahmann); Part 3: Performing; 8. Against the Body: Interpreting Ana Mendieta (Julia Bryan-Wilson); 9. Jung Kang-Ja: A Pioneer of Korean Experimental Art of the 1960s and 1970s (Phil Lee); 10. "Really African, and Really Kabuki Too": Afro-Asian Possibility in the Work of Senga Nengudi (Ellen Y. Tani); 11. Kirsten Justesen: The Body as a Feminist and Artistic Tool (Tania Ørum)

Select Guide Rating