Charles Burdett is Professor of Italian Studies at the University of Durham Loredana Polezzi is Alfonse M. D’Amato Chair in Italian American and Italian Studies at Stony Brook University.

• Introduction, Charles Burdett and Loredana PolezziPart One: Language1. Translation and Transnational Creative Practices in Italian CultureLoredana Polezzi2. Renaissance Translators, Transnational Literature, and IntertraffiqueAndrea Rizzi3. Linguistic landscapes of urban Italy: perspectives on transnational identitiesStefania Tufi4. Transnational Flows and Translanguaging Repertoires: Exploring Multilingualism and Migration in Contemporary ItalyNaomi Wells5. Speaking Transnationally from the Italian DiasporaMarco SantelloPart Two: Spatiality1. Transnationalism and the Epic Tradition in Baroque Italian Travel LiteratureNathalie Hester2. ‘La fuga dei cervelli’, the Grand Tour, and the circulation of knowledge: Transnational Italian culture in the long eighteenth centuryClorinda Donato3. Italians in HollywoodGiuliana Muscio4. Italy and Italian Studies in the Transnational Space of Migration and Colonial RoutesTeresa Fiore5. Mobile homes: transnational subjects and the (re)creation of home spacesJennifer BurnsPart Three: Temporality1. Making Premodern Time: Guittone, Dante, and PetrarchDavid Bowe2. Italian Renaissance Costume Books: Imagining Nation in an Increasingly Transnational WorldEugenia Paulicelli3. Translating People and Places between Sicily and the United States, 1880-1960Donna Gabaccia4. Addressing the Representation of the Italian Empire and its AfterlifeCharles Burdett5. Transnational ‘Italian’ Comics: Mediating Memory in the 21st CenturyBarbara SpadaroPart Four: Subjectivity1. Dante and the Transnational TurnTristan Kay2. Conscience, Consciousness, The Unconscious: The Italian Subject and PsychoanalysisFabio Camilletti and Alessandra Diazzi3. Speaking in class: accented voices in transnational Italian cinemaDerek Duncan4. Transnational Subjectivities and Victimhood in Italy after the 2001 Genoa G8 SummitMonica Jansen5. Queer Translanguagers Versus Inclusive Language: Translingual Practices and Queer Italian StudiesSerena Bassi

‘A globalizing society, which underestimates the importance of foreign language skills, forces us to question values and domains. Against that backdrop, Charles Burdett and Loredana Polezzi re-examine the meaning and finality of Italian Studies in Transnational Italian Studies... as a reader and an advocate of a transcultural approach to Italian Studies, I have found the reading to be very enriching.’ Inge Lanslots, Annali d’Italianistica

Charles Burdett is Professor of Italian Studies at the University of Durham Loredana Polezzi is Alfonse M. D’Amato Chair in Italian American and Italian Studies at Stony Brook University.

• Introduction, Charles Burdett and Loredana PolezziPart One: Language1. Translation and Transnational Creative Practices in Italian CultureLoredana Polezzi2. Renaissance Translators, Transnational Literature, and IntertraffiqueAndrea Rizzi3. Linguistic landscapes of urban Italy: perspectives on transnational identitiesStefania Tufi4. Transnational Flows and Translanguaging Repertoires: Exploring Multilingualism and Migration in Contemporary ItalyNaomi Wells5. Speaking Transnationally from the Italian DiasporaMarco SantelloPart Two: Spatiality1. Transnationalism and the Epic Tradition in Baroque Italian Travel LiteratureNathalie Hester2. ‘La fuga dei cervelli’, the Grand Tour, and the circulation of knowledge: Transnational Italian culture in the long eighteenth centuryClorinda Donato3. Italians in HollywoodGiuliana Muscio4. Italy and Italian Studies in the Transnational Space of Migration and Colonial RoutesTeresa Fiore5. Mobile homes: transnational subjects and the (re)creation of home spacesJennifer BurnsPart Three: Temporality1. Making Premodern Time: Guittone, Dante, and PetrarchDavid Bowe2. Italian Renaissance Costume Books: Imagining Nation in an Increasingly Transnational WorldEugenia Paulicelli3. Translating People and Places between Sicily and the United States, 1880-1960Donna Gabaccia4. Addressing the Representation of the Italian Empire and its AfterlifeCharles Burdett5. Transnational ‘Italian’ Comics: Mediating Memory in the 21st CenturyBarbara SpadaroPart Four: Subjectivity1. Dante and the Transnational TurnTristan Kay2. Conscience, Consciousness, The Unconscious: The Italian Subject and PsychoanalysisFabio Camilletti and Alessandra Diazzi3. Speaking in class: accented voices in transnational Italian cinemaDerek Duncan4. Transnational Subjectivities and Victimhood in Italy after the 2001 Genoa G8 SummitMonica Jansen5. Queer Translanguagers Versus Inclusive Language: Translingual Practices and Queer Italian StudiesSerena Bassi

‘A globalizing society, which underestimates the importance of foreign language skills, forces us to question values and domains. Against that backdrop, Charles Burdett and Loredana Polezzi re-examine the meaning and finality of Italian Studies in Transnational Italian Studies... as a reader and an advocate of a transcultural approach to Italian Studies, I have found the reading to be very enriching.’ Inge Lanslots, Annali d’Italianistica

Charles Burdett is Professor of Italian Studies at the University of Durham Loredana Polezzi is Alfonse M. D’Amato Chair in Italian American and Italian Studies at Stony Brook University.

• Introduction, Charles Burdett and Loredana PolezziPart One: Language1. Translation and Transnational Creative Practices in Italian CultureLoredana Polezzi2. Renaissance Translators, Transnational Literature, and IntertraffiqueAndrea Rizzi3. Linguistic landscapes of urban Italy: perspectives on transnational identitiesStefania Tufi4. Transnational Flows and Translanguaging Repertoires: Exploring Multilingualism and Migration in Contemporary ItalyNaomi Wells5. Speaking Transnationally from the Italian DiasporaMarco SantelloPart Two: Spatiality1. Transnationalism and the Epic Tradition in Baroque Italian Travel LiteratureNathalie Hester2. ‘La fuga dei cervelli’, the Grand Tour, and the circulation of knowledge: Transnational Italian culture in the long eighteenth centuryClorinda Donato3. Italians in HollywoodGiuliana Muscio4. Italy and Italian Studies in the Transnational Space of Migration and Colonial RoutesTeresa Fiore5. Mobile homes: transnational subjects and the (re)creation of home spacesJennifer BurnsPart Three: Temporality1. Making Premodern Time: Guittone, Dante, and PetrarchDavid Bowe2. Italian Renaissance Costume Books: Imagining Nation in an Increasingly Transnational WorldEugenia Paulicelli3. Translating People and Places between Sicily and the United States, 1880-1960Donna Gabaccia4. Addressing the Representation of the Italian Empire and its AfterlifeCharles Burdett5. Transnational ‘Italian’ Comics: Mediating Memory in the 21st CenturyBarbara SpadaroPart Four: Subjectivity1. Dante and the Transnational TurnTristan Kay2. Conscience, Consciousness, The Unconscious: The Italian Subject and PsychoanalysisFabio Camilletti and Alessandra Diazzi3. Speaking in class: accented voices in transnational Italian cinemaDerek Duncan4. Transnational Subjectivities and Victimhood in Italy after the 2001 Genoa G8 SummitMonica Jansen5. Queer Translanguagers Versus Inclusive Language: Translingual Practices and Queer Italian StudiesSerena Bassi

‘A globalizing society, which underestimates the importance of foreign language skills, forces us to question values and domains. Against that backdrop, Charles Burdett and Loredana Polezzi re-examine the meaning and finality of Italian Studies in Transnational Italian Studies... as a reader and an advocate of a transcultural approach to Italian Studies, I have found the reading to be very enriching.’ Inge Lanslots, Annali d’Italianistica