Assistant Professor of Latino and Latin American Studies, University of Illinois - Chicago, and author, Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World (OUP, 2008) and Editor, Postnational Musical Identities. Cultural Production, Distribution and Consumption in a Globalized Scenario (Lexington Books, 2007, with Ignacio Corona)

• List of Figures ; List of Music Examples ; Acknowledgements ; Map of the U.S.-Mexico Border ; Chapter 1. Transnational Musical Encounters at the U.S.-Mexico Border: An Introduction by Alejandro L. Madrid ; I. Border Meanings ; Chapter 2. Reggae on the Border: The Possibilities of a Frontera Soundscape by Luis Alvarez ; Chapter 3. Breaking Borders / Quebrando fronteras: Dancing in the Borderscape by Sydney Hutchinson ; Chapter 4. Narcocorridos: Narratives of a Cultural Persona and Power on the Border by Mark C. Edberg ; II. Nationalisms ; Chapter 5. Mariachi Reimaginings: Encounters with Technology, Aesthetics, and Identity by Donald Henriques ; Chapter 6. "This is Our Musica, Guy!: Tejanos and Ethno/Regional Musical Nationalism by Jose E. Limon ; III. Indigeneity and Modernity ; Chapter 7. Re-localized Rap and its Representation of the Hombre digno by Helena Simonett ; Chapter 8. Waila as Transnational Practice by Joan Titus ; IV. Cultural Citizenship and Rights ; Chapter 9. Transnational Identity, the Singing of and the

Forthcoming. 9780252034091, Olga Najera-Ramirez, Norma E. Cantu, and Brenda M. Romero/Dancing across Borders. Danzas y Bailes Mexicanos, $80, University of Illinois Press, 2009.

Assistant Professor of Latino and Latin American Studies, University of Illinois - Chicago, and author, Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World (OUP, 2008) and Editor, Postnational Musical Identities. Cultural Production, Distribution and Consumption in a Globalized Scenario (Lexington Books, 2007, with Ignacio Corona)

• List of Figures ; List of Music Examples ; Acknowledgements ; Map of the U.S.-Mexico Border ; Chapter 1. Transnational Musical Encounters at the U.S.-Mexico Border: An Introduction by Alejandro L. Madrid ; I. Border Meanings ; Chapter 2. Reggae on the Border: The Possibilities of a Frontera Soundscape by Luis Alvarez ; Chapter 3. Breaking Borders / Quebrando fronteras: Dancing in the Borderscape by Sydney Hutchinson ; Chapter 4. Narcocorridos: Narratives of a Cultural Persona and Power on the Border by Mark C. Edberg ; II. Nationalisms ; Chapter 5. Mariachi Reimaginings: Encounters with Technology, Aesthetics, and Identity by Donald Henriques ; Chapter 6. "This is Our Musica, Guy!: Tejanos and Ethno/Regional Musical Nationalism by Jose E. Limon ; III. Indigeneity and Modernity ; Chapter 7. Re-localized Rap and its Representation of the Hombre digno by Helena Simonett ; Chapter 8. Waila as Transnational Practice by Joan Titus ; IV. Cultural Citizenship and Rights ; Chapter 9. Transnational Identity, the Singing of and the

Forthcoming. 9780252034091, Olga Najera-Ramirez, Norma E. Cantu, and Brenda M. Romero/Dancing across Borders. Danzas y Bailes Mexicanos, $80, University of Illinois Press, 2009.

Assistant Professor of Latino and Latin American Studies, University of Illinois - Chicago, and author, Nor-Tec Rifa!: Electronic Dance Music from Tijuana to the World (OUP, 2008) and Editor, Postnational Musical Identities. Cultural Production, Distribution and Consumption in a Globalized Scenario (Lexington Books, 2007, with Ignacio Corona)

• List of Figures ; List of Music Examples ; Acknowledgements ; Map of the U.S.-Mexico Border ; Chapter 1. Transnational Musical Encounters at the U.S.-Mexico Border: An Introduction by Alejandro L. Madrid ; I. Border Meanings ; Chapter 2. Reggae on the Border: The Possibilities of a Frontera Soundscape by Luis Alvarez ; Chapter 3. Breaking Borders / Quebrando fronteras: Dancing in the Borderscape by Sydney Hutchinson ; Chapter 4. Narcocorridos: Narratives of a Cultural Persona and Power on the Border by Mark C. Edberg ; II. Nationalisms ; Chapter 5. Mariachi Reimaginings: Encounters with Technology, Aesthetics, and Identity by Donald Henriques ; Chapter 6. "This is Our Musica, Guy!: Tejanos and Ethno/Regional Musical Nationalism by Jose E. Limon ; III. Indigeneity and Modernity ; Chapter 7. Re-localized Rap and its Representation of the Hombre digno by Helena Simonett ; Chapter 8. Waila as Transnational Practice by Joan Titus ; IV. Cultural Citizenship and Rights ; Chapter 9. Transnational Identity, the Singing of and the

Forthcoming. 9780252034091, Olga Najera-Ramirez, Norma E. Cantu, and Brenda M. Romero/Dancing across Borders. Danzas y Bailes Mexicanos, $80, University of Illinois Press, 2009.