"This is an original and compelling book by an author with first-hand knowledge of European cinema and religious and national ideologies which offers something genuinely different to current religion-film analysis. The use of American civil religion will comprise a fascinating portal for those not aware of the nuances and complexities of Balkan and Russian religious and national identities to become familiar with wider debates in the way in which cinema can not only reflect but affect ideological constructions." – Chris Deacy, University of Kent, UK