Monica Boria is Affiliated Lecturer in the Department of Italian at the University of Cambridge and a translator.Ángeles Carreres is Senior Language Teaching Officer in the Department of Spanish and Portuguese at the University of Cambridge.María Noriega-Sánchez is Senior Language Teaching Officer in Spanish at the University of Cambridge, and a Fellow in Modern Languages at Sidney Sussex College.Marcus Tomalin is Fellow at Trinity Hall College, Cambridge, and a Senior Research Associate in the Cambridge Machine Intelligence Laboratory.

• ContentsAcknowledgementsList of figuresList of contributorsIntroduction1. Transposing meaning2. A theoretical framework for a multimodal conception of translation3. Meaning-(re)making in a world of untranslated signs4. From the "cinema of attractions" to danmu5. Translating "I"6. The multimodal dimensions of literature in translation 7. Translations between music and dance8. Writing drawinglyBeyond Words: concluding remarksIndex

'Translation and multimodality walk a fine line that separates and blends verbal and non-verbal signs. From the interpretations of an ambiguous sign in Dante’s Paradiso to the significance of touch in the operating room, the contributors to this volume tackle multimodality in unexplored spaces and in its newest modes.'Delia Chiaro, University of Bologna, Italy'The role of multimodality in audiovisual translation has been addressed quite widely over the last few years, but Translation and Multimodality: Beyond Words takes us a step further in exploring the impact of multimodality studies on more diverse forms of translation, and indeed on translation tout court. It is a very welcome addition to the subject.'Christopher Taylor, University of Trieste, Italy

Monica Boria is Affiliated Lecturer in the Department of Italian at the University of Cambridge and a translator.Ángeles Carreres is Senior Language Teaching Officer in the Department of Spanish and Portuguese at the University of Cambridge.María Noriega-Sánchez is Senior Language Teaching Officer in Spanish at the University of Cambridge, and a Fellow in Modern Languages at Sidney Sussex College.Marcus Tomalin is Fellow at Trinity Hall College, Cambridge, and a Senior Research Associate in the Cambridge Machine Intelligence Laboratory.

• ContentsAcknowledgementsList of figuresList of contributorsIntroduction1. Transposing meaning2. A theoretical framework for a multimodal conception of translation3. Meaning-(re)making in a world of untranslated signs4. From the "cinema of attractions" to danmu5. Translating "I"6. The multimodal dimensions of literature in translation 7. Translations between music and dance8. Writing drawinglyBeyond Words: concluding remarksIndex

'Translation and multimodality walk a fine line that separates and blends verbal and non-verbal signs. From the interpretations of an ambiguous sign in Dante’s Paradiso to the significance of touch in the operating room, the contributors to this volume tackle multimodality in unexplored spaces and in its newest modes.'Delia Chiaro, University of Bologna, Italy'The role of multimodality in audiovisual translation has been addressed quite widely over the last few years, but Translation and Multimodality: Beyond Words takes us a step further in exploring the impact of multimodality studies on more diverse forms of translation, and indeed on translation tout court. It is a very welcome addition to the subject.'Christopher Taylor, University of Trieste, Italy

Monica Boria is Affiliated Lecturer in the Department of Italian at the University of Cambridge and a translator.Ángeles Carreres is Senior Language Teaching Officer in the Department of Spanish and Portuguese at the University of Cambridge.María Noriega-Sánchez is Senior Language Teaching Officer in Spanish at the University of Cambridge, and a Fellow in Modern Languages at Sidney Sussex College.Marcus Tomalin is Fellow at Trinity Hall College, Cambridge, and a Senior Research Associate in the Cambridge Machine Intelligence Laboratory.

• ContentsAcknowledgementsList of figuresList of contributorsIntroduction1. Transposing meaning2. A theoretical framework for a multimodal conception of translation3. Meaning-(re)making in a world of untranslated signs4. From the "cinema of attractions" to danmu5. Translating "I"6. The multimodal dimensions of literature in translation 7. Translations between music and dance8. Writing drawinglyBeyond Words: concluding remarksIndex

'Translation and multimodality walk a fine line that separates and blends verbal and non-verbal signs. From the interpretations of an ambiguous sign in Dante’s Paradiso to the significance of touch in the operating room, the contributors to this volume tackle multimodality in unexplored spaces and in its newest modes.'Delia Chiaro, University of Bologna, Italy'The role of multimodality in audiovisual translation has been addressed quite widely over the last few years, but Translation and Multimodality: Beyond Words takes us a step further in exploring the impact of multimodality studies on more diverse forms of translation, and indeed on translation tout court. It is a very welcome addition to the subject.'Christopher Taylor, University of Trieste, Italy