J. Michael Walton is Emeritus Professor of Drama at the University of Hull, UK.

• ContentsList of illustrations and copyrightAcknowledgments Part 1 Translation in EnglishIntroduction Chapter 1 ‘An Agreeable Innovation’: Play and Translation from Lianeri, Alexandra and Vanda Zajko (eds 2008), Translation and the Classic, Oxford: Oxford University Press, pp. 261–7. By permission of Oxford University Press.Chapter 2 Theobald and Lintott: A Footnote on Early Translations of Greek Tragedy from Arion Third Series, 16.3, Winter 2009, pp. 103–110.Chapter 3 Benson, ‘Mushri’ and the First English Oresteiafrom Arion, 14.2, Fall 2006, pp. 49–67. Chapter 4 Business as Usual: Plautus’ Menaechmi in English Translation from Olson, S. Douglas (ed. 2014), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin and Boston: de Gruyter. pp. 1040–61. By permission of De Gruyter, Berlin and Boston.Part 2 Processes and IssuesIntroduction Chapter 5 ‘Good Manners, Decorum or the Public Peace’: Greek Drama and the Censor from Billiani, Francesca. (ed. 2007), Modes of Censorship and Translation: National Contexts and Diverse Media. Manchester & Kinderhook: St Jerome Publishing, pp. 143–66.Chapter 6 Vacuum or Agenda: The Translator’s Dilemma from Classical and Modern Literature, 27.1, (2007, pub. 2008),pp. 93–120.Chapter 7 Transfusion or Transgression: the translator as director in Medea from Symposia Proceedings of the X (2000) and XI (2002) International Meetings on Ancient Greek Drama. Athens (2008): The European Cultural Centre of Delphi, pp. 195–205.

Michael Walton is a rare and important scholar in that he has brilliantly united his detailed knowledge of theatre studies with classical scholarship and his work as a translator of ancient drama. His groundbreaking insights into the art of translating classical works for the modern stage have been invaluable to both scholars and practitioners for many years. Now we are able to appreciate the wide range of his vital work collected in this spirited, thought-provoking and inspiring volume.- Professor Peter Meineck, New York University, USA... [a] coherent quasi-monograph that testifies to its author's vigorous and rigorous engagement and passion for performance translations of ancient Greek and Roman theatre. It is also an enjoyable read seasoned with humour, serious business balanced out by historical anecdotes, and with an acute sense for live performance.- Professor Pavel Drábek, University of Hull, UK, in the Journal of Adaptation in Film & Performance

J. Michael Walton is Emeritus Professor of Drama at the University of Hull, UK.

• ContentsList of illustrations and copyrightAcknowledgments Part 1 Translation in EnglishIntroduction Chapter 1 ‘An Agreeable Innovation’: Play and Translation from Lianeri, Alexandra and Vanda Zajko (eds 2008), Translation and the Classic, Oxford: Oxford University Press, pp. 261–7. By permission of Oxford University Press.Chapter 2 Theobald and Lintott: A Footnote on Early Translations of Greek Tragedy from Arion Third Series, 16.3, Winter 2009, pp. 103–110.Chapter 3 Benson, ‘Mushri’ and the First English Oresteiafrom Arion, 14.2, Fall 2006, pp. 49–67. Chapter 4 Business as Usual: Plautus’ Menaechmi in English Translation from Olson, S. Douglas (ed. 2014), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin and Boston: de Gruyter. pp. 1040–61. By permission of De Gruyter, Berlin and Boston.Part 2 Processes and IssuesIntroduction Chapter 5 ‘Good Manners, Decorum or the Public Peace’: Greek Drama and the Censor from Billiani, Francesca. (ed. 2007), Modes of Censorship and Translation: National Contexts and Diverse Media. Manchester & Kinderhook: St Jerome Publishing, pp. 143–66.Chapter 6 Vacuum or Agenda: The Translator’s Dilemma from Classical and Modern Literature, 27.1, (2007, pub. 2008),pp. 93–120.Chapter 7 Transfusion or Transgression: the translator as director in Medea from Symposia Proceedings of the X (2000) and XI (2002) International Meetings on Ancient Greek Drama. Athens (2008): The European Cultural Centre of Delphi, pp. 195–205.

Michael Walton is a rare and important scholar in that he has brilliantly united his detailed knowledge of theatre studies with classical scholarship and his work as a translator of ancient drama. His groundbreaking insights into the art of translating classical works for the modern stage have been invaluable to both scholars and practitioners for many years. Now we are able to appreciate the wide range of his vital work collected in this spirited, thought-provoking and inspiring volume.- Professor Peter Meineck, New York University, USA... [a] coherent quasi-monograph that testifies to its author's vigorous and rigorous engagement and passion for performance translations of ancient Greek and Roman theatre. It is also an enjoyable read seasoned with humour, serious business balanced out by historical anecdotes, and with an acute sense for live performance.- Professor Pavel Drábek, University of Hull, UK, in the Journal of Adaptation in Film & Performance

J. Michael Walton is Emeritus Professor of Drama at the University of Hull, UK.

• ContentsList of illustrations and copyrightAcknowledgments Part 1 Translation in EnglishIntroduction Chapter 1 ‘An Agreeable Innovation’: Play and Translation from Lianeri, Alexandra and Vanda Zajko (eds 2008), Translation and the Classic, Oxford: Oxford University Press, pp. 261–7. By permission of Oxford University Press.Chapter 2 Theobald and Lintott: A Footnote on Early Translations of Greek Tragedy from Arion Third Series, 16.3, Winter 2009, pp. 103–110.Chapter 3 Benson, ‘Mushri’ and the First English Oresteiafrom Arion, 14.2, Fall 2006, pp. 49–67. Chapter 4 Business as Usual: Plautus’ Menaechmi in English Translation from Olson, S. Douglas (ed. 2014), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin and Boston: de Gruyter. pp. 1040–61. By permission of De Gruyter, Berlin and Boston.Part 2 Processes and IssuesIntroduction Chapter 5 ‘Good Manners, Decorum or the Public Peace’: Greek Drama and the Censor from Billiani, Francesca. (ed. 2007), Modes of Censorship and Translation: National Contexts and Diverse Media. Manchester & Kinderhook: St Jerome Publishing, pp. 143–66.Chapter 6 Vacuum or Agenda: The Translator’s Dilemma from Classical and Modern Literature, 27.1, (2007, pub. 2008),pp. 93–120.Chapter 7 Transfusion or Transgression: the translator as director in Medea from Symposia Proceedings of the X (2000) and XI (2002) International Meetings on Ancient Greek Drama. Athens (2008): The European Cultural Centre of Delphi, pp. 195–205.

Michael Walton is a rare and important scholar in that he has brilliantly united his detailed knowledge of theatre studies with classical scholarship and his work as a translator of ancient drama. His groundbreaking insights into the art of translating classical works for the modern stage have been invaluable to both scholars and practitioners for many years. Now we are able to appreciate the wide range of his vital work collected in this spirited, thought-provoking and inspiring volume.- Professor Peter Meineck, New York University, USA... [a] coherent quasi-monograph that testifies to its author's vigorous and rigorous engagement and passion for performance translations of ancient Greek and Roman theatre. It is also an enjoyable read seasoned with humour, serious business balanced out by historical anecdotes, and with an acute sense for live performance.- Professor Pavel Drábek, University of Hull, UK, in the Journal of Adaptation in Film & Performance