Bruno Ministro is a Junior Research Fellow at the Institute for Comparative Literature at the University of Porto.

• List of FiguresAcknowledgementsIntroduction: Repetitive Thoughts, Global Avant-GardesBruno MinistroPart I Repetition and Experimental Poetry (From the Past)1. Deep Reading Minimal Texts: Prayers and Elegies in Off-Off ArtefactsRui Torres2. Broken Repetition: Difference and Its Iteration in Hansjörg Mayer’s Early TitlesBronaċ Ferran3. 'You Also Means Me'. Repetition as Creation and Deconstruction of the Self: The Case of Ketty La RoccaMarzia D’Amico4. The Zukofskys’ Catullus as Phenomenal RepetitionRebecca KosickPart II Repetition and Contemporary Poetry (Of the Present)5. Structures in Movement: Repeating Ulises Carrión in the Twenty-First CenturyOlivia Lott6. Repetition in African American Poetry: From the Spirituals to Douglas KearneyLauri Scheyer7. 'Bound by the Contrary of Ceaseless Repetition': Form and the Hold of Perseveration in Maria Cyranowicz’s deepression ArchiveMałgorzata Myk8. Expanded Elegy in Victoria Chang’s ObitJulie Phillips BrownPart III Repetition and Post-Digital Artistic Research (For the Future)9. The Equilexical Sonnet: Insights from Study and Poetic PracticeNick Montfort10. Serial WritingFelipe Cussen11. It’s Fine: An Ecopoetics of Exhaustion in Weather WritingJ. R. CarpenterContributorsIndex

Repetition is intrinsic to poetry from its origins into the present, but as this remarkable anthology demonstrates, repetition is always – paradoxically – variation. The authors address changed technical and conceptual conditions for poetic production in a wide range of historical and contemporary works that use repetition as a springboard for imagination.

Bruno Ministro is a Junior Research Fellow at the Institute for Comparative Literature at the University of Porto.

• List of FiguresAcknowledgementsIntroduction: Repetitive Thoughts, Global Avant-GardesBruno MinistroPart I Repetition and Experimental Poetry (From the Past)1. Deep Reading Minimal Texts: Prayers and Elegies in Off-Off ArtefactsRui Torres2. Broken Repetition: Difference and Its Iteration in Hansjörg Mayer’s Early TitlesBronaċ Ferran3. 'You Also Means Me'. Repetition as Creation and Deconstruction of the Self: The Case of Ketty La RoccaMarzia D’Amico4. The Zukofskys’ Catullus as Phenomenal RepetitionRebecca KosickPart II Repetition and Contemporary Poetry (Of the Present)5. Structures in Movement: Repeating Ulises Carrión in the Twenty-First CenturyOlivia Lott6. Repetition in African American Poetry: From the Spirituals to Douglas KearneyLauri Scheyer7. 'Bound by the Contrary of Ceaseless Repetition': Form and the Hold of Perseveration in Maria Cyranowicz’s deepression ArchiveMałgorzata Myk8. Expanded Elegy in Victoria Chang’s ObitJulie Phillips BrownPart III Repetition and Post-Digital Artistic Research (For the Future)9. The Equilexical Sonnet: Insights from Study and Poetic PracticeNick Montfort10. Serial WritingFelipe Cussen11. It’s Fine: An Ecopoetics of Exhaustion in Weather WritingJ. R. CarpenterContributorsIndex

Repetition is intrinsic to poetry from its origins into the present, but as this remarkable anthology demonstrates, repetition is always – paradoxically – variation. The authors address changed technical and conceptual conditions for poetic production in a wide range of historical and contemporary works that use repetition as a springboard for imagination.

Bruno Ministro is a Junior Research Fellow at the Institute for Comparative Literature at the University of Porto.

• List of FiguresAcknowledgementsIntroduction: Repetitive Thoughts, Global Avant-GardesBruno MinistroPart I Repetition and Experimental Poetry (From the Past)1. Deep Reading Minimal Texts: Prayers and Elegies in Off-Off ArtefactsRui Torres2. Broken Repetition: Difference and Its Iteration in Hansjörg Mayer’s Early TitlesBronaċ Ferran3. 'You Also Means Me'. Repetition as Creation and Deconstruction of the Self: The Case of Ketty La RoccaMarzia D’Amico4. The Zukofskys’ Catullus as Phenomenal RepetitionRebecca KosickPart II Repetition and Contemporary Poetry (Of the Present)5. Structures in Movement: Repeating Ulises Carrión in the Twenty-First CenturyOlivia Lott6. Repetition in African American Poetry: From the Spirituals to Douglas KearneyLauri Scheyer7. 'Bound by the Contrary of Ceaseless Repetition': Form and the Hold of Perseveration in Maria Cyranowicz’s deepression ArchiveMałgorzata Myk8. Expanded Elegy in Victoria Chang’s ObitJulie Phillips BrownPart III Repetition and Post-Digital Artistic Research (For the Future)9. The Equilexical Sonnet: Insights from Study and Poetic PracticeNick Montfort10. Serial WritingFelipe Cussen11. It’s Fine: An Ecopoetics of Exhaustion in Weather WritingJ. R. CarpenterContributorsIndex

Repetition is intrinsic to poetry from its origins into the present, but as this remarkable anthology demonstrates, repetition is always – paradoxically – variation. The authors address changed technical and conceptual conditions for poetic production in a wide range of historical and contemporary works that use repetition as a springboard for imagination.