Timbre Composition in Electroacoustic Music

Häftad, Engelska, 1994

939 kr

Beställningsvara. Skickas inom 10-15 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.

Produktinformation

Utgivningsdatum1994-10-20
Mått170 x 245 x undefined mm
Vikt460 g
FormatHäftad
SpråkEngelska
SerieContemporary Music Review
Antal sidor250
FörlagHarwood-Academic Publishers
ISBN9783718655724

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur

Simon Emmerson is Professor of Music, Technology and Innovation at De Montfort University, Leicester. As a composer, he works mostly with live electronics, recently for Sond'Arte (Lisbon), and acousmatic work for the Inventionen Festival (Berlin). His books include The Language of Electroacoustic Music (1986), Music, Electronic Media and Culture (2000) and Living Electronic Music (2007). In 2009-10, he was DAAD Edgar Varese Visiting Professor at the Technische Universitat Berlin. Leigh Landy directs the Music, Technology and Innovation Research Centre at De Montfort University. His scholarship is divided between creative and musicological work, and his compositions have been performed around the globe. He is editor of the journal Organised Sound and author of several books including Understanding the Art of Sound Organization (2007) and Making Music with Sounds (2012). He directs the ElectroAcoustic Resource Site (EARS) projects and is a founding director of the Electroacoustic Music Studies Network (EMS).