Thomas Hardy and the Folk Horror Tradition

Inbunden, Engelska, 2023

AvAlan G. Smith,Robert Edgar,John Marland

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Thomas Hardy and the Folk Horror Tradition takes the uncanny and unsettling fiction of Thomas Hardy as fundamental in examining the lineage of ‘Hardyan Folk Horror’. Hardy’s novels and his short fiction often delve into a world of folklore and what was, for Hardy the recent past. Hardy’s Wessex plays out tensions between the rational and irrational, the pagan and the Christian, the past and the 'enlightened' future. Examining these tensions in Hardy's life and his work provides a foundation for exploring the themes that develop in the latter half of the 20th century and again in the 21st century into a definable genre, folk horror. This study analyses the subduing function of heritage drama via analysis of adaptations of Hardy's work to this financially lucrative film market. This is a market in which the inclusion of the weird and the eerie does not fit with the construction of a past and its function in creating a nostalgia of a safe and idyllic picture of England’s rural past. However, there are some lesser-known adaptations from the 1970s that sit alongside the unholy trinity of folk horror: the adaptation for television of the Wessex Tales. From a consideration of the epistemological fissure that characterize Hardy’s world, the book draws parallels between then and now and the manifestation of writing on conceptual borders. Through this comparative analysis, Thomas Hardy and the Folk Horror Tradition posits that we currently exist on a moment of fracture, when tradition sits as a seductive threat.

Produktinformation

Utgivningsdatum2023-06-01
Mått154 x 232 x 12 mm
Vikt420 g
FormatInbunden
SpråkEngelska
Antal sidor192
FörlagBloomsbury Publishing Plc
ISBN9781501383991

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Alan G Smith is a researcher who specializes in screenwriting, TV drama and Thomas Hardy. He has contributed to Adaptation for Screenwriters (Bloomsbury, 2019), an anthology Horrifying Tales (2021) and the forthcoming Venue Stories (2023).Robert Edgar is Professor in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published on Screenwriting (2009), Directing Fiction (2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (2013), The Arena Concert (Bloomsbury, 2015) and Film Adaptation for Scriptwriters (Bloomsbury, 2019). John Marland is Senior Lecturer in Film and Literature at York St John University, UK, where he has both taught and developed undergraduate courses in scriptwriting. He has published on Screenwriting (2009), The Language of Film (Bloomsbury, 2010 and 2015), and Adaptation for Scriptwriters (Bloomsbury 2019).

This uniquely individual book melds the traditions of folklore, folk horror, the Gothic and surrealism in order to create an enhanced experience, one focused on interiority, for when we reread the novels, short stories and poetry of Thomas Hardy that we know and love. From The Wickerman to Hookland, the authors seamlessly posit Hardy as progenitor of modern folk horror and its many visual adaptations, lamenting that with one exception, the 1970s television adaption of certain stories from Wessex Tales, the 'eerie' in Hardy's stories is often turned to the 'dreary', favouring the 'heritage' approach at the cost of the sublime and the supernatural. This book aims to redress that balance, and does so exceedingly well.