Victoria Lindsay Levine is professor of music at Colorado College, where she has served as the John D. and Catherine T. MacArthur Professor, the Christine S. Johnson Professor of Music, and the W. M. Keck Foundation Director of the Hulbert Center for Southwestern Studies.Philip V. Bohlman is Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago, Honorarprofessor at the Hochschule für Musik, Theater und Medien Hannover, and artistic director of the New Budapest Orpheum Society, an ensemble-in-residence in the Humanities Division of the University of Chicago.

• List of IllustrationsList of TablesAcknowledgmentsIntroduction:Bruno Nettl, A Lifetime in Search of MusicVictoria Lindsay Levine and Philip V. BohlmanPart I: Communities of MusicChapter 1: Recording the Life Review: A Case Study from the Medical HumanitiesTheresa AllisonChapter 2: Music in the Culture of Children Patricia Shehan CampbellChapter 3: The Mississippi Choctaw Fair and Veteran’s Day Powwow: Music, Dance, and Layers of Identity Chris GoertzenChapter 4: St. Peter and the Santarinas: Celebrating Traditions over Time in Malacca, Malaysia Margaret SarkissianChapter 5: Performing Translation in Jewish India: Kirtan of the Bene Israel Anna SchultzPart II: Intellectual History of EthnomusicologyChapter 6: Guerra-Peixe, Cold War Politics, and Ethnomusicology in Brazil, 1950-1952 Samuel AraújoChapter 7: Bohemian Traces in the World of Ethnomusicology Zuzana JurkováChapter 8: Music Scholarship and Politics in Munich, 1918–1945 William KindermanChapter 9: Harry Partch and Jacques Barzun: A Historical-Musical Duet on the Subject, ‘Western Civ’Harry LiebersohnChapter 10: The Times They Are a-Changin’Daniel M. NeumanChapter 11: Comparative Musicologists in the Field: Reflections on the Cairo Congress of Arab Music, 1932 A. J. RacyChapter 12: Ethnomusicological Marginalia: On Reading Charles Seeger Reading The Anthropology of MusicAnthony SeegerPart III: Analytical StudiesChapter 13: The Persian Radif in Relation to the Tajik-Uzbek ŠašmaqomStephen BlumChapter 14: The Saz Semaisi in Evcara by Dilhayat Kalfa and the Turkish Makam After the Ottoman Golden Age Robert GarfiasChapter 15: When You Do This, I’ll Hear You: Gros Ventre Songs and Supernatural Power Orin HattonChapter 16: Permutation as a Basic Concept of Raga Elaboration in North Indian MusicLars-Christian KochChapter 17: Aspects of Sound Recording and Sound Analysis Albrecht SchneiderPart IV: Historical StudiesChapter 18: In Search of Music’s Intimate Moments Philip V. BohlmanChapter 19: Oral History, Music Biography, and Historical EthnomusicologyMartha Ellen DavisChapter 20: The Doubleness of Sound in Canada’s Indian Residential Schools Beverley DiamondChapter 21: Passages on Music in the Accounts of Medieval Arab TravelersAmnon ShiloahChapter 22: Reconstructing Abbey Road: History and Mnemohistory in Memories of Working with the Beatles Gordon ThompsonChapter 23: Commercial 78s: A Rediscovered Resource for Ethnomusicology Philip YampolskyPart V: Issues and ConceptsChapter 24: One Hundred Years of Indian Folk Music: The Evolution of a Concept Stefan FiolChapter 25: Textual Relations between O’odham Story and SongJ. Richard HaeferChapter 26: Finding and Recovering Musicality in a College Folk Music ClassMelinda RussellChapter 27: Transpacific Excursions: Multi-Sited Ethnomusicology, The Black Pacific, and Nettl’s Comparative (Method) Gabriel SolisChapter 28: The Emperor’s New Clothes: Why Musicologies Do Not Always Wish to Know, All They Could Know Marcello Sorce KellerChapter 29: On Theory and Models: How to Make Our Ideas Clear Thomas TurinoPart VI: Change, Adaptation, and SurvivalChapter 30: Music, Modernity, and Islam in Indonesia Charles CapwellChapter 31: “Clubbing the Boots”: The Navajo Moccasin Game in Today’s World Charlotte J. FrisbieChapter 32: Rise Up and Dream: New Work Songs for the New China Frederick LauChapter 33: Fusion Music in South India Terada YoshitakaChapter 34: The Urge to Merge: Are Cross-Cultural Collaborations Destroying Hindustani Music? Stephen SlawekChapter 35: Regional Songs in Local and Translocal Spaces: The Duck Dance Revisited Victoria Lindsay LevineBibliographyAbout the Contributors

Nettl is one of ethnomusicology's founding fathers and revered senior figures, part of a pantheon that includes Mantle Hood, David McAllester, William Malm, and Alan Merriam. Besides writing for a plethora of publications, Nettl advised dozens of doctoral candidates at the University of Illinois, and many of them celebrate their mentor in this Festschrift. Nettl represents ‘modernist,’ data-centered ethnomusicology, not the current theory-based ‘postmodern’ form. These 35 essays provide a broad cross section of his students and their non-Illinois contemporaries, who form a kind of Nettl-based solar system. Although many Festschriften are random collections on miscellaneous subjects, this one will serve as a kind of reader in ‘classic ethnomusicology’ and could well be used by graduate students because it covers field-based, historical, (music) theoretical, medical, and children’s ethnomusicology, with essays on the US (including Native American), Europe, Latin America, and East, South, and Southeast Asia. The volume does not reflect ethnomusicology’s current fascination with postmodern cultural criticism and its sometimes off-putting writing style. Summing Up: Recommended. Graduate students, researchers, faculty.