Inbunden, Engelska, 2015
Del 18 i serien Europea: Ethnomusicologies and Modernities
This Thing Called Music
Essays in Honor of Bruno Nettl
Av Victoria Lindsay Levine, Philip V. Bohlman
1319 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2015-05-21
- Mått: 158 x 236 x 43 mm
- Vikt: 930 g
- Format: Inbunden
- Språk: Engelska
- Serie: Europea: Ethnomusicologies and Modernities
- Antal sidor: 536
- Förlag: Bloomsbury Publishing Plc
- ISBN: 9781442242074
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Mer information
Victoria Lindsay Levine is professor of music at Colorado College, where she has served as the John D. and Catherine T. MacArthur Professor, the Christine S. Johnson Professor of Music, and the W. M. Keck Foundation Director of the Hulbert Center for Southwestern Studies.Philip V. Bohlman is Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago, Honorarprofessor at the Hochschule für Musik, Theater und Medien Hannover, and artistic director of the New Budapest Orpheum Society, an ensemble-in-residence in the Humanities Division of the University of Chicago.
Recensioner i media
Nettl is one of ethnomusicology's founding fathers and revered senior figures, part of a pantheon that includes Mantle Hood, David McAllester, William Malm, and Alan Merriam. Besides writing for a plethora of publications, Nettl advised dozens of doctoral candidates at the University of Illinois, and many of them celebrate their mentor in this Festschrift. Nettl represents ‘modernist,’ data-centered ethnomusicology, not the current theory-based ‘postmodern’ form. These 35 essays provide a broad cross section of his students and their non-Illinois contemporaries, who form a kind of Nettl-based solar system. Although many Festschriften are random collections on miscellaneous subjects, this one will serve as a kind of reader in ‘classic ethnomusicology’ and could well be used by graduate students because it covers field-based, historical, (music) theoretical, medical, and children’s ethnomusicology, with essays on the US (including Native American), Europe, Latin America, and East, South, and Southeast Asia. The volume does not reflect ethnomusicology’s current fascination with postmodern cultural criticism and its sometimes off-putting writing style. Summing Up: Recommended. Graduate students, researchers, faculty.
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