"Schorske knows a great deal about Vienna, and the essays ... are original and penetrating, particularly those on Mahler and Freud."--Gordon Craig, New York Review of Books "Clever analysis... [A] subtle, important book."--Douglas A. Sylva, The New York Times Book Review "Carl Schorske is ... a master; anyone acquainted with his classic Fin-de-Siecle Vienna will know that fact, and accordingly will relish the prospect of these ... essays. Together they are a brilliant feat of learning, gracefully served."--A. C. Grayling, Financial Times "This new collection shows why Schorske, the eminent intellectual historian ... is a master craftsman... [W]e are fortunate to have Schorske as a guide... By his amazingly erudite and finely chiseled portraits of the potentialities of nineteenth-century culture, he has prepared the way for us to assess how we think with history in our own day."--Jonathan Elukin, The American Scholar "Schorske is a very gifted writer and scholar, usually clearly and succinctly distilling his study of a great deal of material from many disciplines, avoiding historical and intellectual minutiae, and incorporating colorful anecdotes and quotes... A pleasurable and stimulating read."--Kirkus Reviews "What has interested Schorske and will fascinate readers is the interaction between history and the supposedly rootless modernism... These [essays]... show the astonishing breadth of Schorske's knowledge."--Publisher's Weekly "[A] reflective and provocative book."--Alethea Hayter, The Spectator