Ivana Noble (DolejÅ¡ová) is a Czech theologian, a graduate of the Hussite Theological Faculty in Prague, where she finished her Masters degree just after the fall of Communism. She completed her doctoral studies at Heythrop College in London with a thesis Account of Hope: A Problem of Method in Postmodern Apologia (published in 2001). In 1994-2000 she was Director of the Institute of Ecumenical Studies in Prague, which she co-founded. During that time she wrote also her habilitation work, published in Czech as Po Bozích stopách: Teologie jako interpretace nábozenské zkuÅ¡enosti (in 2004), which has now been published in English under the title Tracking God: Ecumenical Fundamental Theology (2010). She is a former president of Societas Oecumenica, the European association for ecumenical theology and author of numerous articles on the hermeneutics of Christian tradition, the dialogue between philosophy, theology and arts, as well as on theological responses to totalitarian thinking and the secularization - post-secularization debate. Currently she works as an associate professor of Ecumenical Theology at the Protestant Theological Faculty of Charles University and is also a Senior Research Fellow at the International Baptist Seminary in Prague, Czech Republic.

• Contents: Preface; Introduction: culture as a theological theme; Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer; Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music; Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema; Love as the ultimate fulfilment in theology; Conclusion; Bibliography; Index.

Selected winner of The Competition of High Quality Monographs of Charles University, Prague, 2012. 'Ivana Noble has written a sensitive and powerful book, courageous in its honest pathos for humanity and inspiring with its humble confidence. In these pages the soul of Central-Eastern Europe comes to life as this talented theologian graces us with knowledge of how religious symbols and meaning cultivate the human search for meaning under the ambivalent surfaces of life, in once aggressive but now post-secular societies. Noble offers us in the West an encounter with the Other that cannot but give much food for thought about religion in our own increasingly post-institutional religious situations. Original not only in content but also methodology, her text promises numerous insights for political theology, liturgical studies, theological aesthetics, indeed, for all seeking to construct theologies at once fundamental and practical in this postmodern age.' Bruce T. Morrill, SJ, Boston College, USA ’How much do you know about Czech theology? If someone asked me this question I would have to confess that the answer is 'almost nothing'. There are several good reasons for reading Ivana Noble's book ...but one of them surely is that it makes me realise that what usually goes under the name of European theology most often is something less than that. ... Noble herself belongs to a post-Communist generation of theologians (and philosophers) that are beginning to be heard by a wider theological audience to the benefit of a somewhat myopic 'European' theological debate....This is good theology of culture, period. ...I started reading this book to get to know more about post-Communist culture, I ended up deepening my grasp of theology's mission as well.’ Journal of Reformed Theology 'Noble's project is both fascinating and challenging in endeavouring to describe things which are meant to be seen, listened to, or read. In some way, Theological Interpretation is a guide and

Ivana Noble (DolejÅ¡ová) is a Czech theologian, a graduate of the Hussite Theological Faculty in Prague, where she finished her Masters degree just after the fall of Communism. She completed her doctoral studies at Heythrop College in London with a thesis Account of Hope: A Problem of Method in Postmodern Apologia (published in 2001). In 1994-2000 she was Director of the Institute of Ecumenical Studies in Prague, which she co-founded. During that time she wrote also her habilitation work, published in Czech as Po Bozích stopách: Teologie jako interpretace nábozenské zkuÅ¡enosti (in 2004), which has now been published in English under the title Tracking God: Ecumenical Fundamental Theology (2010). She is a former president of Societas Oecumenica, the European association for ecumenical theology and author of numerous articles on the hermeneutics of Christian tradition, the dialogue between philosophy, theology and arts, as well as on theological responses to totalitarian thinking and the secularization - post-secularization debate. Currently she works as an associate professor of Ecumenical Theology at the Protestant Theological Faculty of Charles University and is also a Senior Research Fellow at the International Baptist Seminary in Prague, Czech Republic.

• Contents: Preface; Introduction: culture as a theological theme; Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer; Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music; Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema; Love as the ultimate fulfilment in theology; Conclusion; Bibliography; Index.

Selected winner of The Competition of High Quality Monographs of Charles University, Prague, 2012. 'Ivana Noble has written a sensitive and powerful book, courageous in its honest pathos for humanity and inspiring with its humble confidence. In these pages the soul of Central-Eastern Europe comes to life as this talented theologian graces us with knowledge of how religious symbols and meaning cultivate the human search for meaning under the ambivalent surfaces of life, in once aggressive but now post-secular societies. Noble offers us in the West an encounter with the Other that cannot but give much food for thought about religion in our own increasingly post-institutional religious situations. Original not only in content but also methodology, her text promises numerous insights for political theology, liturgical studies, theological aesthetics, indeed, for all seeking to construct theologies at once fundamental and practical in this postmodern age.' Bruce T. Morrill, SJ, Boston College, USA ’How much do you know about Czech theology? If someone asked me this question I would have to confess that the answer is 'almost nothing'. There are several good reasons for reading Ivana Noble's book ...but one of them surely is that it makes me realise that what usually goes under the name of European theology most often is something less than that. ... Noble herself belongs to a post-Communist generation of theologians (and philosophers) that are beginning to be heard by a wider theological audience to the benefit of a somewhat myopic 'European' theological debate....This is good theology of culture, period. ...I started reading this book to get to know more about post-Communist culture, I ended up deepening my grasp of theology's mission as well.’ Journal of Reformed Theology 'Noble's project is both fascinating and challenging in endeavouring to describe things which are meant to be seen, listened to, or read. In some way, Theological Interpretation is a guide and

Ivana Noble (DolejÅ¡ová) is a Czech theologian, a graduate of the Hussite Theological Faculty in Prague, where she finished her Masters degree just after the fall of Communism. She completed her doctoral studies at Heythrop College in London with a thesis Account of Hope: A Problem of Method in Postmodern Apologia (published in 2001). In 1994-2000 she was Director of the Institute of Ecumenical Studies in Prague, which she co-founded. During that time she wrote also her habilitation work, published in Czech as Po Bozích stopách: Teologie jako interpretace nábozenské zkuÅ¡enosti (in 2004), which has now been published in English under the title Tracking God: Ecumenical Fundamental Theology (2010). She is a former president of Societas Oecumenica, the European association for ecumenical theology and author of numerous articles on the hermeneutics of Christian tradition, the dialogue between philosophy, theology and arts, as well as on theological responses to totalitarian thinking and the secularization - post-secularization debate. Currently she works as an associate professor of Ecumenical Theology at the Protestant Theological Faculty of Charles University and is also a Senior Research Fellow at the International Baptist Seminary in Prague, Czech Republic.

• Contents: Preface; Introduction: culture as a theological theme; Part I The World: Images of the world in Karel Capek and Isaac Bashevis Singer; Theologies of the world. Part II Memory: Heritage of totaltarian cultures in folk music; Redemptive memory on theology. Part III The Ultimate Fulfilment: Figuring the ultimate fulfilment in Central European cinema; Love as the ultimate fulfilment in theology; Conclusion; Bibliography; Index.

Selected winner of The Competition of High Quality Monographs of Charles University, Prague, 2012. 'Ivana Noble has written a sensitive and powerful book, courageous in its honest pathos for humanity and inspiring with its humble confidence. In these pages the soul of Central-Eastern Europe comes to life as this talented theologian graces us with knowledge of how religious symbols and meaning cultivate the human search for meaning under the ambivalent surfaces of life, in once aggressive but now post-secular societies. Noble offers us in the West an encounter with the Other that cannot but give much food for thought about religion in our own increasingly post-institutional religious situations. Original not only in content but also methodology, her text promises numerous insights for political theology, liturgical studies, theological aesthetics, indeed, for all seeking to construct theologies at once fundamental and practical in this postmodern age.' Bruce T. Morrill, SJ, Boston College, USA ’How much do you know about Czech theology? If someone asked me this question I would have to confess that the answer is 'almost nothing'. There are several good reasons for reading Ivana Noble's book ...but one of them surely is that it makes me realise that what usually goes under the name of European theology most often is something less than that. ... Noble herself belongs to a post-Communist generation of theologians (and philosophers) that are beginning to be heard by a wider theological audience to the benefit of a somewhat myopic 'European' theological debate....This is good theology of culture, period. ...I started reading this book to get to know more about post-Communist culture, I ended up deepening my grasp of theology's mission as well.’ Journal of Reformed Theology 'Noble's project is both fascinating and challenging in endeavouring to describe things which are meant to be seen, listened to, or read. In some way, Theological Interpretation is a guide and