Logan J. Connors is Professor and Chair of Modern Languages and Literatures at the University of Miami, USA.Lillian Manzor is Professor of Modern Languages and Literatures and Hemispheric Caribbean Studies. She is the Director of the Institute for Advanced Study of the Americas at the University of Miami, USA and founding director of the Cuban Theater Digital Archive (www.cubantheater.org).Emily Sahakian is Associate Professor of Theater and French, jointly appointed in the Departments of Theatre & Film and Romance Languages, at the University of Georgia, USA.

• Contributor BiographiesAcknowledgements“Introduction: Archives, Temporalities, and Spaces of Revolution”Logan J. Connors, Lillian Manzor, Emily Sahakian I. Performance Archives, Repertoires, and Memories of RevolutionChapter 1“Of Riots and Representations: The Case of Auguste Macouba’s Play Eïa! Man-maille là!”Andy StaffordChapter 2“Rocking the Canboulay: Trinidad’s Jamette Carnival Outside the Shadow of Revolt”Stephen CedarsChapter 3“The National Discourse of a Revolution: Theatrical Censorship and Chavismo Performativity”Neta KannyChapter 4“Performing Tropicana: Cuban-American Theater Between Memory and Revolution”Lilianne Lugo HerreraChapter 5“Theater Adaptation as a Critical Reservoir of the Mexican Revolution’s Memories in Mendoza by Los Colochos Teatro”Maritza Beatriz García RodríguezII. Ruptures and Repetitions of Revolutionary TimeChapter 6“Repeat Performances: Rehearsing the French Revolution in Late Qing Chinese Theater”Cecilia FeillaChapter 7“Revolutionary Avant-Garde Puppetry from Germany, through Japan, to China”Siyuan LiuChapter 8“Heiner Müller, The Mission, and Revolutionary Time”Liam Johnston-McCondachChapter 9“Performing Revolution in the Age of Revolutions: Guillaume Tell across the Revolutionary Chasm”Marc H. LernerChapter 10“Revolutionary Time in Edouard Glissant’s Monsieur Toussaint and Maryse Condé’s An tan révolisyon”Soraya LimareIII. Places and Spaces of Revolutionary PerformanceChapter 11“Three Stages of Iranian Theater in Revolution”Yassaman KhajehiChapter 12“Spatial Interventions and Material Re-appropriations: Resisting the Aestheticization of Reality in the New York Young Lords’ Garbage Offensive(s)”Briana BeemanChapter 13“Retaking Chile: Theater and Space in Authoritarian Times”Melissa González-ContrerasChapter 14“Theatricality, Performativity, and the Fête révolutionnaire: The Paradoxes of French Revolutionary Festivals as Performed Assembly”Alexis StanleyChapter 15“R for Rehearsal, R for Revolution: Stories from and About Tahrir Square”Dalia BasiounyIndex