Theatre and Celebrity in Britain 1660-2000

JACKY BRATTON Professor of Theatre and Cultural History at Royal Holloway, University of London, UK SOS ELTIS Fellow and Tutor in English at Brasenose College, Oxford, UK MAGGIE B.GALE Professor of Drama at the University of Manchester, UK PETER HOLLAND McMeel Family Professor in Shakespeare Studies in the Department of Film, Television, and Theatre at the University of Notre Dame, UK FELICITY NUSSBAUM is Professor in the Department of English at the University of California at Los Angeles, USA PETER RABY is a Fellow of Homerton College, Cambridge, UK JOSEPH ROACH is the Charles C. and Dorothea S. Dielley Professor of Theatre and English at Yale University, USA PETER THOMSON is Emiritus Professor of Drama at the University of Exeter, UK SHEARER WEST is Professor of Art History at the University of Birmingham, UK.

• List of Figures Acknowledgements Notes on Contributors Introduction; M.Luckhurst & J.Moody PART I: PUBLIC INTIMACY Public History: The Prior History of 'It'; J.Roach Wilde: The Remarkable Rocket; P.Raby The Many Masks of Clemence Dane; M.B.Gale PART II: NOTORIETY Stolen Identities: Character, Mimicry and the Invention of Samuel Foote; J.Moody The Celebrity of Edmund Kean: An Institutional Story; J.Bratton Infamy and Dying Young: Sarah Kane, 1971-1999; M.Luckhurst PART III: MARKETS Celebrity and Rivalry: David [Garrick] and Goliath [Quin]; P.Thomson Actresses and the Economics of Celebrity, 1700-1800; F.Nussbaum Private Lives and Public Spaces: Reputation, Celebrity and the Late Victorian Actress; S.Eltis PART IIII: NATION Siddons, Celebrity and Regality: Portraiture and the Body of the Ageing Actress; S.West 'Some of you might have seen him': Laurence Olivier's Celebrity; P.Holland Index

'There is not a weak link in the book. A compelling setof case studies intriguingly sets out much that nuances understanding of the kinds of figures who exert more attention now than perhaps ever before.' - Modernism/Modernity 'A fascinating collection of essays that invites us to compare theatrical personalities of different ages, and wonder what makes these people, of all those who are professionally involved in the creation of fictional personae for public consumption, special.' - Times Literary Supplement 'The essays collected here...make a valuable contribution to understanding the history of a phenomenon that, while it has only recently started to receive serious attention, has clearly been with us for some time.' Tom Mole, Theatre Notebook