Pocket, Engelska, 2019
The Swallows
Av Lisa Lutz
159 kr
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Beskrivning
From the author of The Passenger--hailed by The New York Times Book Review as a dead-serious thriller (with a funny bone) --and the bestselling Spellman Files series comes a suspenseful novel about a new teacher at a not-so-elite boarding school who accidentally incites a gender war among the students and staff. When Alexandra Witt arrives at Stonebridge Academy and insists on moving into a ramshackle cottage in the woods, curiosity among the student body and the staff skyrockets. Who is this young teacher who came here alone, dresses like the kids, and left her last school under a cloud of speculation? With its picturesque campus and classic uniforms, Stonebridge might look the part, but as Alex soon learns, it's anything but old school. When she advises one of her new students to stand up for herself, the girl takes her advice a little too much to heart. Long-simmering tensions between the boys and girls boil over into a fight. And then total war. A blistering, timely tale of revenge. By the time Gemma, Alex's favorite student, starts uncovering Stonebridge's darkest secrets with the help of some unlikely allies, Alex's bumpy start has become a nightmare. Cast into a role she never wanted, she watches the spark she ignited consume everything around her. And the only way out might carry an even higher cost. Told by four narrators, none of whom inspires total confidence, The Swallows unfolds with brilliant timing, puzzle-like plotting, and riveting storytelling that will shock and delight readers everywhere.
Produktinformation
- Utgivningsdatum: 2019-09-10
- Mått: 130 x 198 x 34 mm
- Vikt: 380 g
- Format: Pocket
- Språk: Engelska
- Antal sidor: 528
- Förlag: Titan Books
- ISBN: 9781785656279
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Mer information
Lisa Lutz is the author of the bestselling series, The Spellman Files, Her most recent novel, The Passenger, was described as "Spellbinding" by The Daily Mail. She has received numerous accolades for her work, including an Alex Award, and nominations for the Edgar, Barry, Anthony awards, among many others.
Recensioner i media
“Riveting . . . full of imagination and power” —Caroline Kepnes, author of You and Providence; “I devoured The Swallows. You’ll laugh out loud even as you anxiously flip the pages” —New York Times bestselling author Tess Gerritsen; “In her witty and charming style, Lutz offers a genre-busting work of fiction that will satisfy readers looking for a seriously engaging read. The story itself is disturbingly plausible, and the humanly flawed characters make choices, good and bad, based on their backgrounds, all blending smoothly into a darkly comedic mystery... This novel keeps readers on the edge of their seats while opening a conversation about public shaming, economic privilege, gender inequity, and revenge versus justice” —Booklist (starred review) ; “It's the era of #MeToo, and literature is beginning to reflect that in a big way. In Lisa Lutz’s The Swallows, a prep school teacher ignites a gender war when she begins the question the institution's overpowering ‘boys will be boys’ mentality. She soon learns that starting a revolution and threatening the status quo comes with steep consequences” —Bustle; “A new teacher at a ritzy New England prep school ignites a fierce battle between the male and female students that ends with revenge, threats, and a fatality. So, just another average day in high school... just kidding” —PopSugar; “The latest campus novel teetering between thriller and satire, Lutz’s book throws readers into the drama of a New England prep school, where one inscrutable new teacher brings about ideas that ignite a deadly gender-war” —Entertainment Weekly; “Liza Lutz is a treasure. Her Spellman Files series manages to be both charming and shrewd, and The Swallows promises to follow suit—it looks witty and caustic, winsome and clever. It’s also, and this is a classic Lutz move, a fresh, unique spin on a genre that already has been reworked a million times. . . . Lutz, searing as ever . . . illuminate[s] how various institutions excuse the oppression or silencing of women and girls” —CrimeReads; “[Lutz] takes no prisoners. . . . She builds her plot cannily and walks a neat line between satire and realism [in a] withering portrayal of how the #MeToo movement plays out in this rarefied setting” —Publishers Weekly; “Lutz draws on the droll humor and idiosyncratic characterizations that make her Spellman novels so appealing... An offbeat, darkly witty pre-#MeToo revenge tale. The patriarchy doesn’t stand a chance” —Kirkus Reviews; “With a memorable cast of characters and more than a few secrets, Lutz’s latest is a turbocharged tale for our times” —Newsweek; “Extraordinarily fun and blood pressure-raising . . . The Swallows goes surprising places (axes are employed) and isn’t afraid to let everyone roll around in the muck—though some characters come out smelling sweeter than others” —Vulture; “Wes Anderson meets Muriel Spark in this delicious and vicious battle of the sexes set within a private school. Wickedly fun and wildly subversive but packing an emotional punch, The Swallows is as powerful as it is timely” —Nationally bestselling author Megan Abbott ; “Sharpen your axes, ladies, and get ready for this fierce, fun, unsparing novel of female rage, power, and friendship” —Camille Perri, author of The Assistants and When Katie Met Cassidy; PRAISE FOR THE AUTHOR; "Told with enormous verve and at a breakneck pace, the story twists and turns like a corkscrew" —Daily Mail; "Psychological suspense lovers will tear through this thriller, a new direction for best seller Lutz (How To Start a Fire)" —The Library Journal; "Lutz’s complex web of finely honed characters will keep readers turning the pages" —Publishers Weekly; “[Lutz] steps smartly out of her comfort zone to write a dead-serious thriller (with a funny bone) about a Wisconsin woman who dashes cross-country when her husband dies in a fall and she knows she’ll be accused of killing him" —Marilyn Stasio, The New York Times Book Review; “Lutz's comedic novels about the Spellman clan are terrific, but this stand-alone is darker and trickier and, for me, funnier — Elmore Leonard funny” —Carole E. Barrowman, Minneapolis Star Tribune; “Lutz develops riveting suspense by slowly revealing the events that first sent [her main character] on the run, while pouring threats on her gritty heroine’s increasingly tenuous bids at survival. Binge-worthy fare, especially for those drawn to strong female protagonists” —Booklist, starred review; “At the outset of The Passenger, Lutz's narrator knows that her only chance for freedom is to lose herself, and thus, leaving one dead man behind, she hits the diamond lane of America—and storytelling—with a carload of identities, including the reader, who is carried along as both passenger and pursuer. This tenacious and resourceful heroine will keep you chasing, rooting, lip-biting, and above all reading until you reach the ending you never saw coming. My advice: buckle up” —Tim Johnston, New York Times bestselling Author of Descent; "A sharp, clever, and utterly compelling thriller about a woman running from the mistakes and misfortunes of her past. Terrific" —Chris Pavone, New York Times bestselling author of The Expats and The Accident; "With whip-smart writing and a breakneck pace, The Passenger's clever plot twists and sharp characters are sure to keep you guessing long into the night, hoping against hope that its complex protagonist isn't nearly as guilty as she seems" —Kim McCreight, New York Times bestselling author of Reconstructing Amelia;
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