Ana Carden-Coyne is Co-Director of the Centre for the Cultural History of War, University of Manchester, and co-founder, Disability History Group, UK/Europe. Her publications include Reconstructing the Body: Classicism, Modernism and the First World War (2009), Gender and Conflict Since 1914: Historical and Interdisciplinary Perspectives (ed., 2012); Cultures of the Abdomen: A History of Diet, Digestion and Fat in the Modern World (ed. with C.E. Forth, 2005), and a special edition on disability, European Review of History, (ed. with J. Anderson, 2007), among other works. She is curator of the WW1 centenary art exhibition, The Sensory War, 1914-2014, with Manchester Art Gallery and the Whitworth Art Gallery.

• Introduction, Wounded Politics ; 1. Men in Pain: Triage, Transport and the War Machine ; 2. Wounds, Experiments, and Ethics: Military Surgery at War ; 3. Transformations in the Theatre of Dreams: Resuscitation, Anaesthetics, Opportunity, and Patient Agency ; 4. Provocative Wounds: Sociality and Intimacy in War Hospitals ; 5. Silent Wounds: Coercion, Brutality, and Resistance in War Hospitals ; 6. Conclusion ; Epilogue: Citizen Cripple: The Social and Economic Value of Body Parts ; Bibliography

very valuable ... powerful and certainly at times poignant examination of what being a casualty meant in WWI ... This is good medical and military history, with implications for contemporary policy makers

Ana Carden-Coyne is Co-Director of the Centre for the Cultural History of War, University of Manchester, and co-founder, Disability History Group, UK/Europe. Her publications include Reconstructing the Body: Classicism, Modernism and the First World War (2009), Gender and Conflict Since 1914: Historical and Interdisciplinary Perspectives (ed., 2012); Cultures of the Abdomen: A History of Diet, Digestion and Fat in the Modern World (ed. with C.E. Forth, 2005), and a special edition on disability, European Review of History, (ed. with J. Anderson, 2007), among other works. She is curator of the WW1 centenary art exhibition, The Sensory War, 1914-2014, with Manchester Art Gallery and the Whitworth Art Gallery.

• Introduction, Wounded Politics ; 1. Men in Pain: Triage, Transport and the War Machine ; 2. Wounds, Experiments, and Ethics: Military Surgery at War ; 3. Transformations in the Theatre of Dreams: Resuscitation, Anaesthetics, Opportunity, and Patient Agency ; 4. Provocative Wounds: Sociality and Intimacy in War Hospitals ; 5. Silent Wounds: Coercion, Brutality, and Resistance in War Hospitals ; 6. Conclusion ; Epilogue: Citizen Cripple: The Social and Economic Value of Body Parts ; Bibliography

very valuable ... powerful and certainly at times poignant examination of what being a casualty meant in WWI ... This is good medical and military history, with implications for contemporary policy makers

Ana Carden-Coyne is Co-Director of the Centre for the Cultural History of War, University of Manchester, and co-founder, Disability History Group, UK/Europe. Her publications include Reconstructing the Body: Classicism, Modernism and the First World War (2009), Gender and Conflict Since 1914: Historical and Interdisciplinary Perspectives (ed., 2012); Cultures of the Abdomen: A History of Diet, Digestion and Fat in the Modern World (ed. with C.E. Forth, 2005), and a special edition on disability, European Review of History, (ed. with J. Anderson, 2007), among other works. She is curator of the WW1 centenary art exhibition, The Sensory War, 1914-2014, with Manchester Art Gallery and the Whitworth Art Gallery.

• Introduction, Wounded Politics ; 1. Men in Pain: Triage, Transport and the War Machine ; 2. Wounds, Experiments, and Ethics: Military Surgery at War ; 3. Transformations in the Theatre of Dreams: Resuscitation, Anaesthetics, Opportunity, and Patient Agency ; 4. Provocative Wounds: Sociality and Intimacy in War Hospitals ; 5. Silent Wounds: Coercion, Brutality, and Resistance in War Hospitals ; 6. Conclusion ; Epilogue: Citizen Cripple: The Social and Economic Value of Body Parts ; Bibliography

very valuable ... powerful and certainly at times poignant examination of what being a casualty meant in WWI ... This is good medical and military history, with implications for contemporary policy makers