Khatereh Sheibani is Lecturer at the University of Guelph. She holds a PhD in Comparative Literature from the University of Alberta.

• IntroductionChapter 1: Cinema as Art: A Poetic Interpretation Chapter 2: Kiarostami and the Aesthetics of GhazalChapter 3: Kiarostami and Modern Persian PoetryChapter 4: Modernity and Identity in a Cinematic PerspectiveChapter 5: Mirroring the Past, Envisioning the FutureChapter 6: Bayzai and the Conventions of Visual ArtsConclusionBibliography

'Here Khatereh Sheibani discusses the works of major internationally-known Iranian film directors in light of the continuum of Persian philosophical and artistic tradition in general and the poetry of Hafez and the philosophy of Sohrevardi (eshraq), in particular. In doing so, she also addresses the issues of modernity and identity, among others, as they relate to the works of filmmakers and the broader picture of Iranian society, especially sincethe Islamic Revolution and its aftermath, the Iran-Iraq War, as well as the social, political, and cultural changes brought about with the establishment of the Islamic state.' - M. R. Ghanoonparvar, Professor of Persian and Comparative Literature and Persian Language at The University of Texas at Austin; 'This book is innovative both from the point of view of the discipline of Comparative Literature and Persian literary and cinema studies, exploring continuity and change inthe development of recent Iranian cinema. Focusing on the seminal figures of new Iranian cinema such as Abbas Kiarostami and Bahram Bayzai, she traces the roots of a new form of poetic cinema that emerged in the wake of the 1979 revolution but is well anchored in the social, political and cultural movements pre-dating the revolution..' - Nasrin Rahimieh, Professor and Maseeh Chair and Director, Dr. Samuel M. Jordan Center for Persian Studies and Culture, School of Humanities, University of California, Irvine

Khatereh Sheibani is Lecturer at the University of Guelph. She holds a PhD in Comparative Literature from the University of Alberta.

• IntroductionChapter 1: Cinema as Art: A Poetic Interpretation Chapter 2: Kiarostami and the Aesthetics of GhazalChapter 3: Kiarostami and Modern Persian PoetryChapter 4: Modernity and Identity in a Cinematic PerspectiveChapter 5: Mirroring the Past, Envisioning the FutureChapter 6: Bayzai and the Conventions of Visual ArtsConclusionBibliography

'Here Khatereh Sheibani discusses the works of major internationally-known Iranian film directors in light of the continuum of Persian philosophical and artistic tradition in general and the poetry of Hafez and the philosophy of Sohrevardi (eshraq), in particular. In doing so, she also addresses the issues of modernity and identity, among others, as they relate to the works of filmmakers and the broader picture of Iranian society, especially sincethe Islamic Revolution and its aftermath, the Iran-Iraq War, as well as the social, political, and cultural changes brought about with the establishment of the Islamic state.' - M. R. Ghanoonparvar, Professor of Persian and Comparative Literature and Persian Language at The University of Texas at Austin; 'This book is innovative both from the point of view of the discipline of Comparative Literature and Persian literary and cinema studies, exploring continuity and change inthe development of recent Iranian cinema. Focusing on the seminal figures of new Iranian cinema such as Abbas Kiarostami and Bahram Bayzai, she traces the roots of a new form of poetic cinema that emerged in the wake of the 1979 revolution but is well anchored in the social, political and cultural movements pre-dating the revolution..' - Nasrin Rahimieh, Professor and Maseeh Chair and Director, Dr. Samuel M. Jordan Center for Persian Studies and Culture, School of Humanities, University of California, Irvine

Khatereh Sheibani is Lecturer at the University of Guelph. She holds a PhD in Comparative Literature from the University of Alberta.

• IntroductionChapter 1: Cinema as Art: A Poetic Interpretation Chapter 2: Kiarostami and the Aesthetics of GhazalChapter 3: Kiarostami and Modern Persian PoetryChapter 4: Modernity and Identity in a Cinematic PerspectiveChapter 5: Mirroring the Past, Envisioning the FutureChapter 6: Bayzai and the Conventions of Visual ArtsConclusionBibliography

'Here Khatereh Sheibani discusses the works of major internationally-known Iranian film directors in light of the continuum of Persian philosophical and artistic tradition in general and the poetry of Hafez and the philosophy of Sohrevardi (eshraq), in particular. In doing so, she also addresses the issues of modernity and identity, among others, as they relate to the works of filmmakers and the broader picture of Iranian society, especially sincethe Islamic Revolution and its aftermath, the Iran-Iraq War, as well as the social, political, and cultural changes brought about with the establishment of the Islamic state.' - M. R. Ghanoonparvar, Professor of Persian and Comparative Literature and Persian Language at The University of Texas at Austin; 'This book is innovative both from the point of view of the discipline of Comparative Literature and Persian literary and cinema studies, exploring continuity and change inthe development of recent Iranian cinema. Focusing on the seminal figures of new Iranian cinema such as Abbas Kiarostami and Bahram Bayzai, she traces the roots of a new form of poetic cinema that emerged in the wake of the 1979 revolution but is well anchored in the social, political and cultural movements pre-dating the revolution..' - Nasrin Rahimieh, Professor and Maseeh Chair and Director, Dr. Samuel M. Jordan Center for Persian Studies and Culture, School of Humanities, University of California, Irvine